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Palgrave Macmillan
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Space, Gender, and Memory in Middle English Romance

Architectures of Wonder in Melusine

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  • © 2016

Overview

  • Fills a much-needed scholarly gap for Melusine, a work that has been under-explored up until now
  • Approaches Melusine through several theoretical discussions including spatial, gender, and memory theories
  • Widens discussions of Melusine to larger contexts about gender and England in the Middle Ages.

Part of the book series: The New Middle Ages (TNMA)

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Table of contents (7 chapters)

Keywords

About this book

This book offers a much-needed consideration of Melusine within medieval and contemporary theories of space, memory, and gender. The Middle English Melusine offers a particularly rich source for such a study, as it presents the story of a powerful fairy/human woman who desires a full human life—and death—within a literary tradition that is more friendly to women’s agency than its continental counterparts. After establishing a “textual habitus of wonder,” Jan Shaw explores the tale in relation to a range of Middle English traditions including love and marriage, the spatial practices of women, the operation of individual and collective memory, and the legacies of patrimony. Melusine emerges as a complex figure, representing a multifaceted feminine subject that furthers our understanding of Middle English women’s sense of self in the world.



Reviews

“The story of the beautiful fairy Mélusine who is cursed by her own mother to transform into a half-serpent once a week has fascinated readers for centuries. … Shaw’s analysis covers an impressive range of modern and medieval concepts … . Shaw’s work lays a good and highly promising foundation for future discussions about this text, and about feminine subjectivity in Middle English romance more broadly.” (Lydia Zeldenrust, Modern Language Review, Vol. 133 (2) April, 2018)

“Displaying both a wide range of scholarship and a readable style, Jan Shaw shines a revealing light upon a number of medieval discourses – religious, philosophical, historical and architectural – as well as the theorizations of the feminine of our own times to reinterpret the little-known late medieval romance of Melusine. This study will transform our understanding of both the text and the potential of feminine subjectivity in the Middle Ages.” (Peter Goodall, Honorary Professor of Arts and Communication, University of Southern Queensland, Australia)

“Intelligently written and compelling to read, Jan Shaw’s pioneering account of the Middle English Melusine retrieves a complex heroine who challenges cultural narratives of gender. Engaging lucidly with theories of space and memory, Shaw redefines Melusine’s ambiguous hybridity, half fairy and half human, as a positive source of female agency. Shaw’s book, the first full-length study of this key text, transforms our understanding of the female subject in medieval romance.” (Helen Fulton, Professor of Medieval Literature, University of Bristol, UK)

Authors and Affiliations

  • Department of English, Department of English, Sydney, Australia

    Jan Shaw

About the author

Jan Shaw is Senior Lecturer of English at the University of Sydney, Australia. She has published on women in the romance of Medieval Britain, medievalism in contemporary literature by women, and narrative and gender approaches in leadership studies. She is also co-editor of Storytelling: Critical and Creative Approaches.



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