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100 Film Noirs

  • Book
  • © 2009

Overview

Part of the book series: Screen Guides (BFISG)

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About this book

This BFI Screen Guide provides an accessible, richly-illustrated introduction to 100 key noir films, from Hollywood classics such as Double Indemnity to more recent titles such as Sin City, as well as examples from Europe, Japan, India and Mexico, together with an editorial overview of the genre and its key debates.

Reviews



'100 Film Noirs offers many insights into the history and visual grammar of the genre and provides the perfect excuse to revisit some classics and discover some forgotten masterpieces.' - PD Smith, The Guardian
 
'100 Film Noirs has a strong international dimension and provides new and revealing insights into film noirs from France, Germany, Japan, India, Mexico and beyond' - Sight and Sound
 
Both a treasure trove of facts and a taster for those keen to find out more about the seamier side of life...' PinkPaper.com
 
'This new volume in the successful "BFI Screen Guides" series provides an entertaining and authoritative guide to the genre through an examination of 100 key films. "Film Noir" is a popular and widely-studied genre. The authors are both high-profile film scholars. It includes classic films such as "Double Indemnity" alongside more recent movies including "Sin City". Richly illustrated with images from the films are discussed. It also includes examples from Europe, Japan, India and Mexico, together with an editorial overview of the genre and its key debates.' - Tangled Web
 
'As has already been indicated, this is an authoritative work, as one might expect with the imprint of the British Film Institute. It is extremely readable in style and is recommended for students of film studies in school, college, or university, as well as for public libraries where it would be eagerly read by lovers of film noir.' - Eric Jukes, Reference Reviews
 
'...takes into account the fact that film noir as a genre has influenced films in France, Japan, Germany, Mexico and India, so there is welcome inclusion of films other than the classics, showing how diverse the influence is.' - Baary Forshaw, fivebooks.com

About the author


JIM HILLIER is Visiting Lecturer in the Department of Film and Television Studies at the University of Reading. His publications include American Independent Cinema (2001), The Film Studies Dictionary (2000) and Howard Hawks: American Artist (1996).

ALASTAIR PHILLIPS is Associate Professor in the Department of Film and Television Studies at the University of Warwick. He is the author of Rififi (2008) and the co-editor of Japanese Cinema: Texts and Contexts (2007) and of Journeys of Desire: European Actors in Hollywood (2006).

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