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  • © 2017

The History of British Women's Writing, 1945-1975

Volume Nine

Palgrave Macmillan
  • Considers a variety of forms and genres, from poetry and journalism to spy thrillers and science fiction
  • Looks at women's writing in relation to changing attitudes surrounding race, class and sexuality
  • Analyses women writer's interactions with global politics, ranging from the Holocaust to the end of Empire

Part of the book series: History of British Women's Writing (HBWW)

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Table of contents (17 chapters)

  1. Front Matter

    Pages i-xxiii
  2. Introduction

    1. Introduction

      • Clare Hanson, Susan Watkins
      Pages 1-15
  3. Changing Forms

    1. Front Matter

      Pages 17-17
    2. Look Back in Gender: Drama

      • Gabriele Griffin
      Pages 54-70
    3. Journalism

      • Deborah Chambers
      Pages 71-88
  4. Reconstructing Gender

    1. Front Matter

      Pages 89-89
    2. Sex, Censorship and Identity

      • Kerry Myler
      Pages 108-123
    3. The Second Wave

      • Leanne Bibby
      Pages 124-141
    4. The Aftermath of War

      • Kristin Bluemel
      Pages 142-156
  5. Global Politics

    1. Front Matter

      Pages 157-157
    2. Responding to the Holocaust

      • Sue Vice
      Pages 159-175
    3. Internal Empire

      • Katie Gramich
      Pages 176-191
  6. Expanding Genres

    1. Front Matter

      Pages 225-225
    2. Historical Fictions

      • Diana Wallace
      Pages 242-258

About this book

This volume reshapes our understanding of British literary culture from 1945-1975 by exploring the richness and diversity of women’s writing of this period. Essays by leading scholars reveal the range and intensity of women writers’ engagement with post-war transformations including the founding of the Welfare State, the gradual liberalization of attitudes to gender and sexuality and the reconfiguration of Britain and the empire in the context of the Cold War. Attending closely to the politics of form, the sixteen essays range across ‘literary’, ‘middlebrow’ and ‘popular’ genres, including espionage thrillers and historical fiction, children’s literature and science fiction, as well as poetry, drama and journalism. They examine issues including realism and experimentalism, education, class and politics, the emergence of ‘second-wave’ feminism, responses to the Holocaust and mass migration and diaspora.  The volume offers an exciting reassessment of women’s writing at a time of radical social change and rapid cultural expansion.  

Reviews

“Clare Hanson and Susan Watkins accomplished mapping of the literary-historical period between 1945 and 1975 is an excellent addition to Palgrave’s invaluable History of British Women’s Writing. Sixteen specially  commissioned essays by well-known scholars and newly emergent critical voices insightfully ‘look back in gender’ at the  diverse and eclectic range of  writing emanating from  the  bomb sites of postwar London through to  the pioneering days  of the women’s liberation movement.  An engaging, impeccably researched collection which is pleasingly wide in its scope features children’s literature, journalism and science fiction alongside migrant writing and experimental drama and poetry.  This will be a ‘must read’ for students of literature, gender and history for many years to come.” (Mary Joannou, Emerita Professor of Women’s Writing and Literary History, Anglia Ruskin University, UK)></p></p>

Editors and Affiliations

  • University of Southampton, UK

    Clare Hanson

  • School of Cultural Studies and Humanities, Leeds Beckett University, UK

    Susan Watkins

About the editors

Clare Hanson is Professor of Twentieth Century Literature at the University of Southampton, UK. She has published widely on the short story and on twentieth-century women’s writing and is the author of Hysterical Fictions: the Woman’s Novel in the Twentieth Century (Palgrave, 2000), A Cultural History of Pregnancy: Pregnancy, Medicine and Culture in Britain, 1750-2000 (Palgrave, 2004) and Eugenics, Literature and Culture in Post-war Britain (2012). Between 2010 and 2012 she was co-editor of the journal Contemporary Women’s Writing. Her current research explores the relationship between genetics and the literary imagination.

Susan Watkins is Professor in the School of Cultural Studies and Humanities at Leeds Beckett University, UK. She is the author of Twentieth-Century Women Novelists: Feminist Theory into Practice (Palgrave, 2001) and Doris Lessing (2010), and co-editor of Scandalous Fictions: The Twentieth-Century Novel in the Public Sphere (Palgrave, 2006) and Doris Lessing: Border Crossings (2009). She was Chair of the Contemporary Women’s Writing Association from 2010-2014 and co-editor of the Journal of Commonwealth Literature from 2010-2015.

Bibliographic Information

Buy it now

Buying options

eBook USD 139.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book USD 179.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access