The United Red Army on Screen: Cinema, Aesthetics and The Politics of Memory

1. Front Matter

   Pages i-viii

   PDF

2. The URA, Politics and the Aesthetics of Memory

   • Christopher Perkins

   Pages 1-17

3. The Japanese New Left and the URA

   • Christopher Perkins

   Pages 18-46

4. A Spectacle of Sex, Violence and Madness

   • Christopher Perkins

   Pages 47-67

5. Horror, Sympathy and Empathy

   • Christopher Perkins

   Pages 68-91

6. The Image, Seeing and the Siege

   • Christopher Perkins

   Pages 92-120

7. Conclusion

   • Christopher Perkins

   Pages 121-128

8. Back Matter

   Pages 129-147

   PDF

This book investigates how films made about the URA since the 1990s have engaged with, reproduced and contested cultural memories of the organisation, discussing how directors have addressed questions of narrativization, trauma, intergenerational connection, and political subjectivity as they engage in the politics of cultural memory on screen.

• aesthetics
• Cultural Memory
• Japan
• memory

"In this important treatment of Japanese cinematic memory texts dealing with the United Red Army, Chris Perkins brings together politics, aesthetics and history to offer a new interpretation of how the events surrounding the United Red Army's descent into violence have been represented and read as an ongoing trauma for Japanese society, and for the Left in particular. The dominant aesthetic of politicised and gendered ky?ki (madness) surrounding the URA creates through its universalism a 'trap'; violence and madness appear to be the natural ends of all left wing politics. Perkins traces the emergence of this dominant aesthetic alongside resistant processes. In doing so, he offers a new and challenging take on the generalised 'trouble with history' in Japan - the desire to suppress the past and the simultaneous searching in history for political relevance for the present condition." - Mark Pendleton, University of Sheffield, UK

• University of Edinburgh, UK

  Christopher Perkins

Christopher Perkins is Lecturer in Japanese in the department of Asian Studies, University of Edinburgh, UK. He holds a PhD in politics and international relations from Royal Holloway University of London and has published articles and book chapters on Japanese media, memory politics, cinema, and border politics.

Policies and ethics