Editors:
- Covers all aspects of screen production—from idea generation and development, to production processes and distribution—and has a section on teaching and learning
- Offers creative, critical and practical approaches to screen production across all forms and genres, including film, television, web series and gallery settings
- Includes chapters authored by leading practitioners, scholars and teachers from universities and colleges around the world
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Table of contents (35 chapters)
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Front Matter
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Part I
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Front Matter
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Part II
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Front Matter
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Part III
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Front Matter
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About this book
This handbook is an essential creative, critical and practical guide for students and educators of screen production internationally. It covers all aspects of screen production—from conceptualizing ideas and developing them, to realizing and then distributing them—across all forms and formats, including fiction and non-fiction for cinema, television, gallery spaces and the web. With chapters by practitioners, scholars and educators from around the world, the book provides a comprehensive collection of approaches for those studying and teaching the development and production of screen content. With college and university students in mind, the volume purposely combines theory and practice to offer a critically informed and intellectually rich guide to screen production, shaped by the needs of those working in education environments where ‘doing’ and ‘thinking’ must co-exist. The Palgrave Handbook of Screen Production fills an important gap in creative-critical knowledge of screen production, while also providing practical tools and approaches for future practitioners.
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Editors and Affiliations
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University of Technology Sydney, Sydney, Australia
Craig Batty, Bettina Frankham
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RMIT University, Melbourne, Australia
Marsha Berry
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Curtin University, Bentley, Australia
Kath Dooley
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University of Newcastle, Callaghan, Australia
Susan Kerrigan
About the editors
Craig Batty is Dean of Research at University of South Australia, Australia, where he specialises in the theory and practice of screenwriting.
Associate Professor Marsha Berry is a writer and artist, specialising in mobile media practice, at RMIT University, Australia.
Dr Kath Dooley is a filmmaker, screenwriter and Senior Lecturer at Curtin University, Australia.
Dr Bettina Frankham is a practice-based researcher in digital media at the University of Technology Sydney, Australia.
Associate Professor Susan Kerrigan is a specialist in creative industries and screen production research at the University of Newcastle, Australia.
Collectively, the editors comprise the Research Sub-Committee of the Australian Screen Production Education and Research Association (ASPERA).
Bibliographic Information
Book Title: The Palgrave Handbook of Screen Production
Editors: Craig Batty, Marsha Berry, Kath Dooley, Bettina Frankham, Susan Kerrigan
DOI: https://doi.org/10.1007/978-3-030-21744-0
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2019
Hardcover ISBN: 978-3-030-21743-3Published: 27 November 2019
Softcover ISBN: 978-3-030-21746-4Published: 27 November 2020
eBook ISBN: 978-3-030-21744-0Published: 15 November 2019
Edition Number: 1
Number of Pages: XXXIV, 482
Number of Illustrations: 34 b/w illustrations
Topics: Film and TV Production, Screenwriting, Film/TV Industry