The British Romantic poets were among the first to realise the centrality of the Divine Comedy for the evolution of the European epic. This study explores the significance of Dante for Percy Bysshe Shelley, John Keats and William Blake. What was their idea of Dante? Why did they feel the need to approach his Christian epic on the afterlife? This study aims to answer these questions by focusing on the three poets' preoccupation with form and language.