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Palgrave Macmillan
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Popular Fiction and Spatiality

Reading Genre Settings

  • Book
  • © 2016

Overview

  • Offers a complex appraisal of the significance of popular fiction by discussing an impressive range of genres
  • Provides much-needed depth and context to readings of a range of bestselling twentieth- and twenty-first-century authors and texts.
  • Brings together the key concepts and concerns of literary spatial studies and popular fiction studies.

Part of the book series: Geocriticism and Spatial Literary Studies (GSLS)

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Table of contents (13 chapters)

Keywords

About this book

This volume moves the debate about literature and geography in a new direction by showing the significance of spatial settings in the enormous and complex field of popular fiction. Approaching popular genres as complicated systems of meaning, the collected essays model key theoretical and critical approaches for interrogating the meaning of space and place across diverse genres, including crime, thrillers, fantasy, science fiction, and romance. Including topics such as classic English ghost stories, blockbuster Antarctic thrillers, prize-winning Montreal crime fiction, J. R. R. Tolkien’s Middle-earth, and China Miéville’s Bas-Lag, among others, this book brings together analyses of the real-and-imagined settings of some of the most widely read authors and texts of the twentieth and twenty-first centuries to show how they have an immeasurable impact on our spatial awareness and imagination.

Editors and Affiliations

  • University of Tasmania, Hobart, Australia

    Lisa Fletcher

About the editor

Lisa Fletcher is Senior Lecturer in English at the University of Tasmania, Australia. Her books include Historical Romance Fiction: Heterosexuality and Performativity (2008), and (with Ralph Crane) Cave: Nature and Culture (2015). Her current research focuses on twenty-first-century Australian popular fiction.

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