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Performing the Nation in Global Korea

Transnational Theatre

  • Book
  • © 2015

Overview

Authors:
  1. Hyunjung Lee
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Table of contents (6 chapters)

  1. Front Matter

    Pages i-xii
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  2. Introduction: Contradictory Tides between the National and the Global

    • Hyunjung Lee
    Pages 1-20

  3. Navigating the National and the Global: The Last Empress, the Musical

    • Hyunjung Lee
    Pages 21-49

  4. Mediating the National-Regional-Global Triad: Nanta and Nonverbal Performance

    • Hyunjung Lee
    Pages 50-72

  5. An Alternative Image of Nationhood within the Global: Musical Seoul Line 1

    • Hyunjung Lee
    Pages 73-92

  6. Conceptualizing Korean Shakespeare in the Era of Globalization

    • Hyunjung Lee
    Pages 93-126

  7. Conclusion: Choreographing Nationalism in the Global Context

    • Hyunjung Lee
    Pages 127-144

  8. Back Matter

    Pages 145-159
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Keywords

About this book

This book illustrates how local awareness of Western cultural hegemonic entities such as Broadway and Shakespeare have been implemented within South Korean theatre in the global era. With a focus on performances that targeted global audiences, Lee explores the ways in which Korea's nationalistic desires for global visibility are projected on stage.

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