Skip to main content
SpringerLink
Log in
Palgrave Macmillan
Book cover

Shakespeare and Emotions

Inheritances, Enactments, Legacies

  • Book
  • © 2015

Overview

Editors:
  1. R. S. White

    1. The University of Western Australia, Australia

    View editor publications

    You can also search for this editor in PubMed   Google Scholar

  2. Mark Houlahan

    1. University of Waikato, New Zealand

    View editor publications

    You can also search for this editor in PubMed   Google Scholar

  3. Katrina O’Loughlin

    1. Australian Research Council Centre of Excellence for the History of Emotions, The University of Western Australia, Australia

    View editor publications

    You can also search for this editor in PubMed   Google Scholar

Part of the book series: Palgrave Shakespeare Studies (PASHST)

This is a preview of subscription content, log in via an institution to check access.

Access this book

Log in via an institution
eBook USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access

Licence this eBook for your library

Institutional subscriptions

Table of contents (23 chapters)

  1. Front Matter

    Pages i-xii
    Download chapter PDF

  2. Reclaiming Heartlands: Shakespeare and the History of Emotions in Literature

    1. Reclaiming Heartlands: Shakespeare and the History of Emotions in Literature

      • R. S. White
      Pages 1-14

  4. Shakespearean Enactments

    1. Front Matter

      Pages 81-81
      Download chapter PDF

    2. ‘My heart dances’: Performing Emotion through Shakespeare’s Rhythms

      • Peter Groves
      Pages 83-94

    3. ‘The teares of ten thousand spectators’: Shakespeare’s Experiments with Emotion from Talbot to Richard II

      • Ruth Lunney
      Pages 95-107

    4. Emotional Education and Leadership in the Henriad

      • Martin Dawes
      Pages 108-115

    5. ‘Say how I loved you’: Queering the Emotion of Male Same-Sex Love in The Merchant of Venice

      • Anthony Guy Patricia
      Pages 116-123

    6. Making a Virtue of Giddiness: Rethinking Troilus’ (E)Motion

      • Alison V. Scott
      Pages 124-136

    7. ‘I shall split all/In pleasure of my spleen!’: Troilus and Cressida and the Expression of Emotion

      • Ronald Bedford
      Pages 137-145

    8. Displacement: Maps and Emotions in Othello

      • Christopher Wortham
      Pages 146-154

    9. Lear in the Storm: Shakespeare’s Emotional Exploration of Sovereign Mortality

      • Jennifer Hamilton
      Pages 155-163

    10. ‘Sociable’ Tears in The Tempest

      • Heather Kerr
      Pages 164-172

  5. Emotional Legacies and Re-enactments

    1. Front Matter

      Pages 173-173
      Download chapter PDF
Back to top

Keywords

About this book

This collection of essays approaches the works of Shakespeare from the topical perspective of the History of Emotions. Contributions come from established and emergent scholars from a range of disciplines, including performance history, musicology and literary history.

Editors and Affiliations

  • The University of Western Australia, Australia

    R. S. White

  • University of Waikato, New Zealand

    Mark Houlahan

  • Australian Research Council Centre of Excellence for the History of Emotions, The University of Western Australia, Australia

    Katrina O’Loughlin

About the editors

Ronald Bedford, University of New England, Australia  Susan Broomhall, University of Western Australia, Australia 
Martin Dawes, independent scholar, Canada
Stephanie Downes, University of Melbourne, Australia 
Rosemary Gaby, University of Tasmania, Australia 
Peter Groves, Monash University, Australia 
Simon Haines, Chinese University of Hong Kong, Hong Kong 
Jennifer Hamilton, University of New South Wales, Australia 
Mark Houlahan, University of Waikato, New Zealand 
Danijela Kambaskovic, University of Western Australia, Australia 
Heather Kerr, University of Adelaide, Australia 
Philippa Kelly, California Shakespeare Theater, USA 
Andrew Lawrence-King, Guildhall School of Music & Drama, UK 
Ruth Lunney, University of Newcastle, Australia 
Andrew Lynch, University of Western Austr
alia, AustraliaDr Mary-Rose Mclaren, Victoria University, Australia 
Katrina O'Loughlin, University of Western Australia, Australia  
Anthony Guy Patricia, Concord University, USA 
Bríd Phillips, University of Western Australia, Australia 
Ciara Rawnsley, University of Western Australia, Australia 
Elizabeth Schafer, Royal Holloway, University of London, UK 
Alison V. Scott, University of Queensland, Australia
R. S. White, University of Western Australia, Australia 
Christopher Wortham, University of Notre Dame Australia, Australia

Bibliographic Information

Publish with us

Policies and ethics

Back to top

Search

Navigation