New Directions in Theatre

In the past ten years, Theatre Studies has experienced remarkable international growth. Yet there is still much to be done to translate the practical and educational achievements of the past decade into coherent theory, and this series is intended as a contribution for that task. The series offers no single programme or ideology; yet all its authors have in common the sense of being in a period of transition and debate out of which the theory and practice of theatre cannot but emerge in a new form.

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Titles in this series