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  • © 2011

Divine Ventriloquism in Medieval English Literature

Power, Anxiety, Subversion

Palgrave Macmillan

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Part of the book series: The New Middle Ages (TNMA)

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Table of contents (8 chapters)

  1. Front Matter

    Pages i-xiv
  2. Introduction: Listen Up!

    1. Introduction: Listen Up!

      • Mary Hayes
      Pages 1-21
  3. Powerful Fantasies of Christ’s Voice

    1. Front Matter

      Pages 23-23
    2. The Talking Dead

      • Mary Hayes
      Pages 25-51
    3. Christ’s Lips Move

      • Mary Hayes
      Pages 53-79
  4. Anxiety and the Clerical Voice

    1. Front Matter

      Pages 81-81
    2. The Master’s Voice

      • Mary Hayes
      Pages 83-108
    3. Cursed Speakers

      • Mary Hayes
      Pages 109-135
  5. Lay Subversion in the Eucharistic Canon

    1. Front Matter

      Pages 137-137
    2. Belly Speech

      • Mary Hayes
      Pages 139-168
    3. Playing the Prophet

      • Mary Hayes
      Pages 169-191
    4. Conclusion: Resounding Voices

      • Mary Hayes
      Pages 193-196
  6. Back Matter

    Pages 197-246

About this book

A study of medieval attitudes towards the ventriloquism of God's and Christ's voices through human media, which reveals a  progression from an orthodox view of divine vocal power to an anxiety over the authority of the priest's voice to a subversive take on the divine voice that foreshadows Protestant devotion.

Reviews

"Hayes offers keen insights backed with solid scholarship into the oral and auditory tensions of a wide range of texts, including several that have been little studied in modern critical frameworks." - Journal of English and Germanic Philology

"Informative." - Church History

"This book does two things all medievalists can be grateful for. One, it demonstrates how literary theory can prompt and inform investigations and analysis of early literature without implying, much less insisting, that these texts are post-anything. Two, it tells a story of great importance to understanding the emergence of English literature from the Middle Ages to the threshold of the Early Modern: the story of the inexorable interrogation by medieval writers of speech, language, and their sources, including especially their source in 'belly-speech,' that will come to mean so much in comprehending the larger story of English literature by the late 1500s, when it throws its voices to all who have ears to hear - as it does still today." - R. Allen Shoaf, Co-founding Editor, EXEMPLARIA

"In this fine study, Hayes explores the theological implications of ventriloquism's founding assumption, namely, that voice is the sign of presence. She insightfully analyzes the specific kinds of voice-throwing that characterize medieval England from talking bibles to actors performing the Last Supper - in short, an entire vocal economy of mediated speech acts." - Valerie Allen, Professor of English, John Jay College of Criminal Justice, CUNY

"...Hayes offers keen insights backed with solid scholarship into the oral and auditory tensions of a wide range of texts, including several that have been little studied in modern critical frameworks." Sachi Shimomura, Journal of English and German Philology

About the author

MARY HAYES Assistant Professor of English at the University of Mississippi, USA.

Bibliographic Information

Buy it now

Buying options

eBook USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access