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Palgrave Macmillan

World Cinema's 'Dialogues' With Hollywood

  • Book
  • © 2007

Overview

Editors:
  1. Paul Cooke

    1. University of Leeds, England

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Table of contents (15 chapters)

  1. Front Matter

    Pages i-xii
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  2. Introduction: World Cinema’s ‘Dialogues’ with Hollywood

    • Paul Cooke
    Pages 1-16

  3. From Caligari to Edward Scissorhands: The Continuing Meta-Cinematic Journey of German Expressionism

    • Paul Cooke
    Pages 17-34

  4. Dream Factory and Film Factory: The Soviet Response to Hollywood 1917–1941

    • Graham Roberts
    Pages 35-51

  5. Anglo-American Collaboration: Korda, Selznick and Goldwyn

    • Charles Drazin
    Pages 52-68

  6. From Pirandello to MGM: When Classical Hollywood Reads European Literature

    • Catherine O’Rawe
    Pages 69-85

  7. The Modernism of Frank Capra and European Ethical Thought

    • Sam B. Girgus
    Pages 86-102

  8. The Transnational Journey of the Celluloid Baiana: Round-Trip Rio-LA

    • Lisa Shaw
    Pages 103-121

  9. The American Dream in Post-War Italy

    • Geoffrey Nowell-Smith
    Pages 122-137

  10. Colonising the European Utopia: Hollywood Musicals in Europe

    • Fiona Handyside
    Pages 138-153

  11. Sex, Gender and Auteurism: The French New Wave and Hollywood

    • Diana Holmes
    Pages 154-171

  12. A Fistful of Yojimbo: Appropriation and Dialogue in Japanese Cinema

    • Rachael Hutchinson
    Pages 172-187

  13. All that Melodrama Allows: Sirk, Fassbinder, Almodóvar, Haynes

    • Eric M. Thau
    Pages 188-200

  14. Lost in Translation: A Few Vagaries of the Alphabet Game Played Between Bombay Cinema and Hollywood

    • Kaushik Bhaumik
    Pages 201-217

  15. Between Sunrise and Sunset: An Elliptical Dialogue Between American and European Cinema

    • Rob Stone
    Pages 218-237

  16. Hero: How Chinese is it?

    • Julian Stringer, Qiong Yu
    Pages 238-254

  17. Back Matter

    Pages 255-266
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Keywords

About this book

Paul Cooke looks at Hollywood's interaction with national and transnational cinemas, from German Expressionism to Bollywood and Chinese film. While Hollywood has had a huge impact on the medium - doing all the talking in the 'dialogue' - world cinema's economic, aesthetic and political relationship with Hollywood is of profound importance.

Editors and Affiliations

  • University of Leeds, England

    Paul Cooke

About the editor

KAUSHIK BHAUMIK is Research Fellow, The Ferguson Centre for African and Asian Studies, The Open University, UK CHARLES DRAZIN lectures on film history at Queen Mary and Westfield College, London, UK SAM B. GIRGUS is Professor of English at Vanderbilt University, USA FIONA HANDYSIDE is Lecturer in Film Studies, Queen's University Belfast, UK DIANA HOLMES is Professor of French, University of Leeds, UK RACHAEL HUTCHINSON is Assistant Professor in Japanese Studies, Department of East Asian Languages and Literatures, Colgate University, New York, USA GEOFFREY NOWELL-SMITH is Senior Research Fellow, Department of History, Queen Mary, University of London, UK CATHERINE O'RAWE is Senior Lecturer in Italian Studies, University of Bristol, UK GRAHAM ROBERTS is Director of the Institute of Communication Studies and founder of the Louis Le Prince Centre for Research in Cinema, Photography and TV, University of Leeds, UK LISA SHAW is Reader in Portuguese and Brazilian Studies, University of Liverpool, UK ROB STONE is Senior Lecturer and Head of the Department of Media and Communication, University of Swansea, UK JULIAN STRINGER is Associate Professor of Film Studies at the University of Nottingham, UK, and co-ordinating editor of Scope: An Online Journal of Film Studies (www.scope.nottingham.ac.uk) ERIC M. THAU is Assistant Professor of Spanish, University of Hawai'i at Manoa, Hawai'i QIONG YU is currently a PhD candidate in the Institute of Film and TV Studies at the University of Nottingham, UK

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