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Rethinking the Femme Fatale in Film Noir

Ready for Her Close-Up

  • Book
  • © 2009

Overview

Authors:
  1. Julie Grossman
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Table of contents (6 chapters)

  1. Front Matter

    Pages i-xi
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  2. Introduction “No One Mourns the Wicked”

    1. Introduction “No One Mourns the Wicked”

      • Julie Grossman
      Pages 1-18

  5. Back Matter

    Pages 153-176
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Keywords

About this book

In the context of nineteenth-century Victorinoir and close readings of original-cycle film noir, Julie Grossman argues that the presence of the "femme fatale" figure, as she is understood in film criticism and popular culture, is drastically over-emphasized and has helped to sustain cultural obsessions with "bad" women.

Reviews

2010 Outstanding Academic Title, CHOICE

'This is a compelling, informed, well-researched, and deeply original book.'

- G. A. Foster, University of Nebraska-Lincoln, Choice

'Rethinking the Femme Fatale poses important questions for feminist work on noir, underlining how the style also remains a contested and rewarding critical terrain.'

- Yvonne Tasker, Journal of Gender Studies

About the author

JULIE GROSSMAN is Interim Dean of Arts and Sciences and Professor of English, Communication and Film Studies at Le Moyne College, New York, USA. She is co-editor of A Due Voci: The Photography of Rita Hammond and has published articles on film noir, Francis Ford Coppola, Todd Haynes, Oscar Wilde and Karen Finley, and Thomas Hardy and Henry James.

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