Skip to main content
Palgrave Macmillan

Existentialism and Social Engagement in the Films of Michael Mann

  • Book
  • © 2011

Overview

This is a preview of subscription content, log in via an institution to check access.

Access this book

eBook USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access

Licence this eBook for your library

Institutional subscriptions

Table of contents (13 chapters)

  1. Introduction

  2. Mann and Movies

  3. Crime and Solitude

  4. History and Social Conscience

Keywords

About this book

Michael Mann's films receive a detailed analysis as existential dramas, including  Heat, Collateral , The Last of the Mohicans and Public Enemies. The book demonstrates that Mann's films perform critical engagement with existentialism, illustrating the problems and opportunities of living according to this philosophy.

Reviews

'Vincent Gaine's book is an object lesson in using philosophy to study cinema, persuasively arguing through close reading that the apparently disparate output of director Michael Mann is really a coherent body of film held together by existentialist themes.' - Jerry Goodenough, University of East Anglia, UK

'Gaine builds a sturdy academic thesis and occasional nuggets-on the doubling and mirroring in Heat and Manhunter for example- confirm his keen cinephile's eye...' - Jamie Russell, Total Film

About the author

VINCENT M. GAINE is an Independent Scholar working in the area of Film, Television and Media Studies. He has published articles on digital film, superheroes in the new millennium, post 9/11 film and docu-drama, and continues to research philosophical filmmakers in contemporary Hollywood.

Bibliographic Information

Publish with us