Imagining Shakespeare

1. Front Matter

   Pages i-xvi

   PDF

2. Imagining Shakespeare

   • Stephen Orgel

   Pages 1-37

3. Staging Clio

   • Stephen Orgel

   Pages 38-64

4. History and Biography

   • Stephen Orgel

   Pages 65-84

5. Magic and History

   • Stephen Orgel

   Pages 85-111

6. The Pornographic Ideal

   • Stephen Orgel

   Pages 112-143

7. Imagining Shylock

   • Stephen Orgel

   Pages 144-162

8. Epilogue

   • Stephen Orgel

   Pages 163-163

9. Back Matter

   Pages 164-172

   PDF

In this beautifully illustrated book, one of the foremost Shakespeareans of our time explores the ways in which Shakespeare has been imagined from his time to ours. Drawing on performance history, textual history and the visual arts (including a fascinating chapter on portraiture), Imagining Shakespeare displays throughout the cultural versatility, elegance, lucidity and wit which have become the hallmarks of Stephen Orgel's style.

• biography
• drawing
• history
• history of literature
• performance
• play
• style
• time
• visual arts
• William Shakespeare
• British and Irish Literature

'As ever, Orgel writes with verve and piercing intelligence. He tackles familiar material and brings it up gleaming bright, fresh and new...All in all, the read is a real delight...' - Professor Peter Holland, Director and Professor of Shakespeare Studies, University of Notre Dame, USA

Stephen Orgel has arguably been the single most important voice shaping

the research agenda of English Renaissance literary studies for the past

thirty years. Imagining Shakespeare shows Orgel at his best - lucid, incisive, lively, learned, and always surprising as he teases out the implications of 'what we mean by Shakespeare', as well as how and what Shakespeare can mean. The essays are each subtle, supple, and always wonderfully alert. They are dense and complex but beautifully clear. Orgel is indeed master of all he surveys here, moving almost effortlessly through fields of textual scholarship, performance study, social history, history of art, and impressive local readings of the plays. No one working in the field could fail to take notice of this book. No one who reads it could fail to be, in almost equal measure, instructed and delighted.' - David Kastan, Old Dominion Foundation Professor in the Humanities, Columbia University

'The author elegantly... explores the changeable natures of [Shakespeare] and the ways in which his dramatic output has been interpreted....This would book would repay, with dividends, careful study by actors, directors and other teachers of literature and drama. Highly recommended. ' - Larry Schwartz, Library Journal

'[An] excellent new collection of essays...Orgel provides a history of attempts by 18th and 19th-century artists to produce a likeness more worthy of Shakespeare.' - London Review of Books

Orgel is celebrated for his work on the masques of the Stuart court and other visual aspects of Renaissance staging. These elegant and witty chapters return to those concerns but treat a considerable variety of different topics, nearly all lending themselves to vivid illustration. One chapter deals with the now familiar point that Elizabethan plays were necessarily the products of collaboration. More enlivening are a valuable study of the Shakespeare portraits and a brilliantly clever chapter on the sexual undertones of A Midsummer Night's Dream. A study of Shylock gives ample evidence of Orgel's highly individual scholarship.' - Frank Kermode, The New York Times

STEPHEN ORGEL is the Jackson Eli Reynolds Professor of Humanities at Stanford University. He has published widely on the political and historical aspects of Renaissance literature, theater, and art history. His work includes Impersonations: The Performance of Gender in Shakespeare's England, The Illusion of Power, Inigo Jones, and The Jonsonian Masque. He has edited Ben Jonson's masques, Christopher Marlowe's poems and translations, the Oxford Authors John Milton, The Tempest and The Winter's Tale in The Oxford Shakespeare, Trollope's Lady Anna, and Edith Wharton's The Custom of the Country and The Reef in the Oxford World's Classics.

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