A Passage to India

1. Front Matter

   Pages i-xiii

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2. A Passage to India: a Socio-historical Study

   • G. K. Das

   Pages 1-15

3. The Caves of A Passage to India

   • Wilfred Stone

   Pages 16-26

4. The Politics of Representation in A Passage to India

   • Benita Parry

   Pages 27-43

5. Negation in A Passage to India

   • Gillian Beer

   Pages 44-58

6. Listening to Language

   • Judith Scherer Herz

   Pages 59-70

7. Muddie et cetera: Syntax in A Passage to India

   • Molly Tinsley

   Pages 71-80

8. The Spirit behind the Frieze?

   • John Drew

   Pages 81-103

9. A Passage to India, the French New Novel and English Romanticism

   • John Beer

   Pages 104-131

10. Conclusion: A Passage to India and the Versatility of the Novel

    • John Beer

    Pages 132-152

11. Back Matter

    Pages 153-172

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• India
• interpret
• interpretation

• Cambridge, UK

  John Beer

John Beer is Emeritus Professor of English Literature, University of Cambridge and Fellow of Peterhouse. His work on Romanticism includes Coleridge the Visionary, Coleridge's Poetic Intelligence, Blake's Humanism, Blake's Visionary Universe, Wordsworth and the Human Heart, Wordsworth in Time, Questioning Romanticism (ed.), Romantic Influences and Providence and Love. He has edited Coleridge's Poems for Everyman's Library, his Aids to Reflection for the Collected Works and is General Editor of the series Coleridge's Writings.

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