Skip to main content
SpringerLink
Log in

Theatre as Action

Soviet Russian Avant-Garde Aesthetics

  • Textbook
  • © 1993

Overview

Authors:
  1. Lars Kleberg
    View author publications

    You can also search for this author in PubMed   Google Scholar

Part of the book series: New Directions in Theatre (NDT)

This is a preview of subscription content, log in via an institution to check access.

Access this book

Log in via an institution

Other ways to access

Licence this eBook for your library

Institutional subscriptions

Table of contents (12 chapters)

  1. Front Matter

    Pages i-xi
    Download chapter PDF

  2. Avant-Garde Art and the Project of Cultural Revolution

    1. Front Matter

      Pages 1-1
      Download chapter PDF

    2. Iconoclasm and Festival

      • Lars Kleberg
      Pages 2-7

    3. The Project of Cultural Revolution

      • Lars Kleberg
      Pages 8-26

    4. Down with the Fetishes!

      • Lars Kleberg
      Pages 27-35

  3. Theatre as Action

    1. Front Matter

      Pages 37-37
      Download chapter PDF

    2. Theatre as Example

      • Lars Kleberg
      Pages 38-39

    3. The Semiotics of Theatre

      • Lars Kleberg
      Pages 40-49

    4. Stage and Auditorium in the Russian Modernist Theatre

      • Lars Kleberg
      Pages 50-64

    5. Theatre Constructivism

      • Lars Kleberg
      Pages 65-76

    6. The Theatre of Attractions

      • Lars Kleberg
      Pages 77-92

    7. The Audience as Myth and Reality

      • Lars Kleberg
      Pages 93-102

    8. The Theatre as an Arena for Discussion

      • Lars Kleberg
      Pages 103-113

    9. The Provisional Abdication of Total Theatre

      • Lars Kleberg
      Pages 114-119

    10. Postscript: the Avant-Garde and History

      • Lars Kleberg
      Pages 120-126

  4. Back Matter

    Pages 127-152
    Download chapter PDF
Back to top

Keywords

About this book

Russian and Soviet avant-garde theatre attempted to create a new art for post-revolutionary, post-1917 Russian and Soviet society. But what were the assumptions made of the audience and by the audience and was there a gap between the two? This original book studies the confrontation of the ideal with the reality of the Soviet 1920s, revealing the Wagnerian and Symbolist utopia beneath, and its crisis.

Bibliographic Information

Publish with us

Policies and ethics

Back to top

Search

Navigation