Overview
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Table of contents (8 chapters)
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Front Matter
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Introduction: Remaking Film
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Remaking as Critical Category
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Front Matter
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Back Matter
Keywords
About this book
This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics, and audiences. This approach to remaking is developed across three broad sections: the first deals with issues of production, including commerce and authors; the second considers genre, plots, and structures; and the third investigates issues of reception, including audiences and institutions.
About the author
Constantine Verevis is Lecturer, School of Literary, Visual and Performance Studies, Monash University, Australia.
Bibliographic Information
Book Title: Film Remakes
Authors: Constantine Verevis
DOI: https://doi.org/10.1007/978-1-137-08168-1
Publisher: Palgrave Macmillan New York
eBook Packages: Palgrave Social & Cultural Studies Collection, Social Sciences (R0)
Copyright Information: Palgrave Macmillan, a division of Nature America Inc. 2005
Hardcover ISBN: 978-1-4039-7428-0Published: 16 March 2006
eBook ISBN: 978-1-137-08168-1Published: 03 October 2016
Edition Number: 1
Number of Pages: X, 198