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  • © 2013

The Group Theatre

Passion, Politics, and Performance in the Depression Era

Palgrave Macmillan

Part of the book series: Palgrave Studies in Theatre and Performance History (PSTPH)

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Table of contents (16 chapters)

  1. Front Matter

    Pages i-xiii
  2. Introduction: A Cautionary Tale

    1. Introduction: A Cautionary Tale

      • Helen Krich Chinoy
      Pages 1-9
  3. People

    1. Front Matter

      Pages 11-11
    2. The Chosen Ones

      • Helen Krich Chinoy
      Pages 13-31
    3. Summertime and the Living Is Collective

      • Helen Krich Chinoy
      Pages 33-50
  4. Performance

    1. Front Matter

      Pages 51-51
    2. Early Rehearsals

      • Helen Krich Chinoy
      Pages 53-63
    3. Early Classes

      • Helen Krich Chinoy
      Pages 65-79
    4. Lee Strasberg: Artist of the Theater

      • Helen Krich Chinoy
      Pages 81-94
    5. Strasberg versus Adler

      • Helen Krich Chinoy
      Pages 95-112
    6. Testing the Theatrical

      • Helen Krich Chinoy
      Pages 113-128
    7. Harold Clurman: Author of the Stage Production

      • Helen Krich Chinoy
      Pages 129-145
    8. Odets in Clurman’s Theater

      • Helen Krich Chinoy
      Pages 147-164
  5. Politics

    1. Front Matter

      Pages 165-165
    2. Art That Shoots Bullets

      • Helen Krich Chinoy
      Pages 167-183
    3. Pro-Unit Is Pro-Group

      • Helen Krich Chinoy
      Pages 185-202
    4. Premature Feminists and the Boys

      • Helen Krich Chinoy
      Pages 203-217
    5. Organization, “Angels,” and Audiences

      • Helen Krich Chinoy
      Pages 219-240
    6. Who Is the Group Theatre?

      • Helen Krich Chinoy
      Pages 241-260
    7. Epilogue: The Survival of an Idea

      • Helen Krich Chinoy
      Pages 261-262

About this book

The Group Theatre , a groundbreaking ensemble collective, started the careers of many top American theatre artists of the twentieth century and founded what became known as Method Acting. This book is the definitive history, based on over thirty years of research and interviews by the foremost theatre scholar of the time period, Helen Chinoy.

Reviews

"Elicit[s] fresh insights and convey[s] the flavor of the company's lofty goals, day-to-day realities, and sometimes fractious interpersonal relationships to an extent not hitherto available . . . Summing Up: Highly recommended. All readers." - CHOICE

"A comprehensive and informative look at The Group . . . I gladly recommend this new book to [people interested in The Group Theatre]." - Playbill.com

"Chinoy's impressive theory coheres to illustrate how the company strived to live up to the 'Group Idea'. the admirable but vague notion that theatre should lyrically speak to the range of cultural and political experiences of American life - an obsession that Chinoy calls a 'cautionary tale '. . . After all, it took a spectrum of experiences and values to build 'the most important experiment in American theatre'." - Theatre Survey

"The venerable Helen Krich Chinoy passed away prior to completing her work on the Group Theatre . . . But Don Wilmeth and Milly Barranger have done an admirable job with the monumental task of making certain that Chinoy's groundbreaking research saw the light of publication. The published result is . . . richly textured in its analysis and one where the author's voice is allowed to flow free." - Theatre Journal

"The late Professor Chinoy is still known widely and warmly as a pioneering theatre scholar and feminist role-model. In a lifetime of devoted research, including extensive interviews with surviving Group members, Helen Chinoy earned her opinions by walking the walk and talking the talk." - Joseph Roach, Sterling Professor of Theater and English, Yale University, USA

"This is an essential book filled with otherwise unavailable material about one of America's most notable experiments in alternative, collective theatre organization and production. What clearly sets this book apart is Helen Krich Chinoy's personal relationship with many of the members of the Group and her long years of thinking about the issues engendered by the Group's experiences." - Virginia Scott, Professor Emerita, Department of Theater, University of Massachusetts at Amherst, USA

"Helen Krich Chinoy's long-awaited appraisal of the Group Theatre is a fascinating tribute to the controversial and pioneeringensemble that forced the American theatre to "put on long pants." It is also a tribute to the scholarship of Don Wilmeth and Milly Barranger whose judgement, patience and editorial skills channel Chinoy's remarkable voice." - Barry Witham, Professor Emeritus, University of Washington, USA

About the author

Helen Krich Chinoy became one of our most distinguished American theater scholars and devoted over three decades to her study of the Group Theatre. This was a natural extension of a number of earlier projects, including the seminal Actors on Acting (1949) and Directors on Directing (1953), both still in print and co-edited with Toby Cole, and Women in American Theatre (1981), edited with Linda Walsh Jenkins. A Columbia University PhD, Helen spent most of her career at Smith College, USA. After her retirement, she held the Hoffman Eminent Scholar Chair in Theatre at Florida State University and the Harold Clurman Professorship at Hunter College, USA. In 1989 the Association for Theatre in Higher Education awarded her its Career Achievement Award.

Bibliographic Information

Buy it now

Buying options

eBook USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access