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Table of contents (8 chapters)
Keywords
About this book
Reviews
"In this illuminating study, Michael Schwartz provides vivid insights into the ways in which the Wobblies, a fabled crew of labor campaigners, were depicted on the Broadway stage. Schwartz colorfully demonstrates how Wobblies were evoked through individual characters, plot devices, and music. Through its fine storytelling and cogent analyses, Class Divisions on the Broadway Stage reveals a largely hidden part of American theatrical and labor history." - William A. Everett, University of Missouri, Kansas City, USA
"Schwartz has constructed an enticingly-written and enlightening history that expertly blends nuanced contextualization of the culture and politics of the 1920s with provocative readings of established and forgotten texts. For readers responsive to how theatre intersects with politics, unions, and economics, Class Divisions on the Broadway Stage offers a distinctive perspective on how commercial theatre audiences consume radicalism and the dynamics of labor history." - Theatre Journal
About the author
Bibliographic Information
Book Title: Class Divisions on the Broadway Stage
Book Subtitle: The Staging and Taming of the I.W.W.
Authors: Michael Schwartz
Series Title: Palgrave Studies in Theatre and Performance History
DOI: https://doi.org/10.1057/9781137353054
Publisher: Palgrave Macmillan New York
eBook Packages: Palgrave Theatre & Performance Collection, Literature, Cultural and Media Studies (R0)
Copyright Information: Michael Schwartz 2014
Hardcover ISBN: 978-1-137-35304-7Published: 10 July 2014
Softcover ISBN: 978-1-349-46950-5Published: 10 July 2014
eBook ISBN: 978-1-137-35305-4Published: 10 July 2014
Series ISSN: 2947-5767
Series E-ISSN: 2947-5775
Edition Number: 1
Number of Pages: XI, 192
Topics: US History, Modern History, Theatre History, Social History, Performing Arts, Theatre and Performance Studies