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  • © 2013

Inner Monologue in Acting

Palgrave Macmillan

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Table of contents (22 chapters)

  1. Front Matter

    Pages i-xi
  2. Introduction

    • Rob Roznowski
    Pages 1-3
  3. Acting

    • Rob Roznowski
    Pages 5-7
  4. Inner Monologue (IM) in Basic Psychology

    • Rob Roznowski
    Pages 9-20
  5. IM Everyday

    • Rob Roznowski
    Pages 21-26
  6. IM in Acting

    • Rob Roznowski
    Pages 27-38
  7. IM as Enemy

    • Rob Roznowski
    Pages 39-45
  8. IM versus Subtext

    • Rob Roznowski
    Pages 47-54
  9. IM in Transitions

    • Rob Roznowski
    Pages 55-60
  10. IM Alone Onstage

    • Rob Roznowski
    Pages 61-68
  11. IM in Objective/Tactic/Obstacle

    • Rob Roznowski
    Pages 69-80
  12. IM Out of Your Head

    • Rob Roznowski
    Pages 81-92
  13. IM in Script Scoring

    • Rob Roznowski
    Pages 93-113
  14. IM in Drama

    • Rob Roznowski
    Pages 115-120
  15. IM in Film

    • Rob Roznowski
    Pages 121-126
  16. IM in Classical Theatre

    • Rob Roznowski
    Pages 127-136
  17. IM in Musical Theatre

    • Rob Roznowski
    Pages 137-145
  18. IM in Comedy

    • Rob Roznowski
    Pages 147-156
  19. IM in Style

    • Rob Roznowski
    Pages 157-169
  20. IM in Auditions

    • Rob Roznowski
    Pages 171-178

About this book

What should an actor be thinking onstage? This overlooked, important question is the crux of this new book that combines psychological theory, numerous practical exercises, and a thorough and wide-reaching examination of inner monologue in various forms including film, musical theatre, and comedy.

Reviews

"This is a great book; it will be useful in the classroom and in production practice. Summing Up: Highly recommended. Readers at all levels." - CHOICE

"Through the examination of self as a person, self as an actor, and self as a character, each chapter aims to ignite the actor's inner voice and imagination in a manner that fills them up and carbonates them. The detailed examination of the inner monologue that lives in the transitions between lines and the silences between characters is ultimately a life-long lesson for actors of all ages, making this book appropriate for even the most seasoned of actors." - Kevin Connell, Professor of Theatre Arts, Marymount Manhattan College, USA

"I guarantee that actors, acting teachers, and directors will read this book and want to immediately apply the principles and exercises outlined therein. It is certainly an important concept in acting and all too often not explained well in acting texts. I am positive I will retain it as an important teaching tool in all levels of acting and auditioning." - Deborah Jordan, Assistant Professor of Theatre, Program Head, Acting & Directing, Jacksonville University, Florida, USA

About the author

Rob Roznowski is Associate Professor and Head of Acting and Directing in the Department of Theatre at Michigan State University, USA.

Bibliographic Information

Buy it now

Buying options

eBook USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access