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  • © 2016

Today's Sounds for Yesterday's Films

Making Music for Silent Cinema

Palgrave Macmillan

Part of the book series: Palgrave Studies in Audio-Visual Culture (PSAVC)

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Table of contents (13 chapters)

  1. Front Matter

    Pages i-xi
  2. Music and the Resurfacing of Silent Film: A General Introduction

    1. Music and the Resurfacing of Silent Film: A General Introduction

      • Ann-Kristin Wallengren, K. J. Donnelly
      Pages 1-9
  3. How Far Can Too Far Go? Radical Approaches to Silent Film Music

  4. Archives and Historical Practices

    1. Front Matter

      Pages 27-27
    2. The Music of The Circus

      • Gillian B. Anderson
      Pages 64-80
  5. Back Matter

    Pages 216-225

About this book

In recent years, there has been something of an explosion in the performance of live music to silent films. There is a wide range of films with live and new scores that run from the historically accurate orchestral scores to contemporary sounds by groups such as Pet Shop Boys or by experimental composers and gothic heavy metal bands. It is no exaggeration to claim that music constitutes a bridge between the old silent film and the modern audience; music is also a channel for non-scholarly audiences to gain an appreciation of silent films. Music has become a means both for musicians and audiences to understand this bygone film art anew. This book is the first of its kind in that it aims to bring together writings and interviews to delineate the culture of providing music for silent films. It not only has the character of a scholarly work but is also something of a manual in that it discusses how to make music for silent films.

Editors and Affiliations

  • University of Southampton, UK

    K. J. Donnelly

  • Lund University, Sweden

    Ann-Kristin Wallengren

About the editors

K.J.Donnelly is Reader in Film Studies at the University of Southampton, UK. He is author of Occult Aesthetics: Synchronization in Sound Film (2014), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001), and editor of Film Music: Critical Approaches (2001), co-editor of Music in Video Games: Studying Play (2013) and Music in Science Fiction Television (2012).
 
Ann-Kristin Wallengren is Professor in Film Studies, Lund University, Sweden. Her research embraces questions about film and national and cultural identity, representation, ideology and transnationality, as well as on different aspects of film music. She has recently published Welcome Home Mr Swanson: Swedish Emigrants and Swedishness in Film and, together with K.J.Donnelly, a special issue of Music and the Moving Image about the psychology of film music.

Bibliographic Information

Buy it now

Buying options

eBook USD 99.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 129.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 129.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access