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  • © 2016

Hand-Made Television

Stop-Frame Animation for Children in Britain, 1961-1974

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Table of contents (5 chapters)

  1. Front Matter

    Pages i-ix
  2. Introduction

    • Rachel Moseley
    Pages 1-7
  3. Contexts

    • Rachel Moseley
    Pages 8-32
  4. The Pastoral Past

    • Rachel Moseley
    Pages 33-67
  5. The Hand-Made

    • Rachel Moseley
    Pages 68-88
  6. Magic and Movement

    • Rachel Moseley
    Pages 89-112
  7. Back Matter

    Pages 113-132

About this book

Hand-Made Television explores the ongoing enchantment of many of the much-loved stop-frame children's television programmes of 1960s and 1970s Britain. The first academic work to analyse programmes such as Pogles' Wood (1966), Clangers (1969), Bagpuss (1974) (Smallfilms) and Gordon Murray's Camberwick Green (1966), Trumpton (1967) and Chigley (1969), the book connects these series to their social and historical contexts while providing in-depth analyses of their themes and hand-made aesthetics. Hand-Made Television shows that the appeal of these programmes is rooted not only in their participatory address and evocation of a pastoral English past, but also in the connection of their stop-frame aesthetics to the actions of childhood play. This book makes a significant contribution to both Animation Studies and Television Studies; combining scholarly rigour with an accessible style, it is suitable for scholars as well as fans of these iconic British children's programmes.

Reviews

“Rachel Moseley’s book brought out, to me, the most interesting aspects of Smallfilms work: the infusion of nostalgia, and the concerns with materiality. I was inspired by her analysis of stop motion as a handmade craft process, and encouraged by her treatment of the Smallfilms worlds as worthy – indeed necessary – subjects of academic attention. ... It was, most of all, a pleasure to read the work of a fellow Smallfilms fan, who showed with deft touch how we can celebrate and elevate the work of Firmin and Postgate without losing the spark of magic that made us love their programmes in the first place.” (Alice Sage, Curator at V&A Museum of Childhood)

Authors and Affiliations

  • University of Warwick, UK

    Rachel Moseley

About the author

Rachel Moseley is Associate Professor in Film and Television Studies, and Director of the Centre for Television History, Heritage and Memory Research at the University of Warwick. She has published widely on popular television and film.


Bibliographic Information

Buy it now

Buying options

eBook USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access