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Palgrave Macmillan

Film and the Ethical Imagination

  • Book
  • © 2016

Overview

  • First book to present a unified theory of what a visual ethics might involve
  • Presents the new concept of a biovisual ethics
  • Offers a systematic account of the history of the ethical turn both in literature, film and visual culture
  • Advances a new conceptualization of ethics in the cinema that is grounded in the imaginative worlds of the films themselves

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Table of contents (17 chapters)

  1. Ethics

  2. Imagination

Keywords

About this book

This book provides a comprehensive, critical overview of the turn to ethics in literature, film, and visual culture. It discusses the concept of a biovisual ethics, offering a new theory of the relation between film and ethics based on the premise that images are capable of generating their own ethical content. This ethics operates hermeneutically and materializes in cinema’s unique power to show us other modes of being. The author considers a wealth of contemporary art films and documentaries that embody ethical issues through the very form of the text. The ethical imagination generated by films such as The Nine Muses, Post Tenebras Lux, Amour, and Nostalgia For the Light is crucially defined by openness, uncertainty, opacity, and the refusal of hegemonic practices of visual representation.

Reviews

“Grønstad’s thought-provoking work provides a significant and novel contribution to the investigation of the relationship between ethics and film form.” (Andrew Jones, Film-Philosophy, Vol. 23, 2019)

“Film and the Ethical Imagination is a significant contribution to the field of film ethics; it does not set itself up as a survey of the field, but offers efficient overviews of developments in the past twenty years, as well as makes certain original contributions … .” (Jonathan Wright, Film Matters, Vol. 09 (2), 2019)

Film and the Ethical Imagination is a wonderfully rich and intelligent book that is essential reading for anyone with an interest in questions of ethics and cinematic form. Introducing the concepts of bioscreens and biovisuality into the lexicon of film ethics, Grønstad offers an important new theory of screen ethics, one that shifts the emphasis away from content onto questions of aesthetic form, and that takes into consideration the serious ‘ramifications of our ecological entanglements’.” (Dr Tanya Horeck, Anglia Ruskin University)

Authors and Affiliations

  • Department of Information Science and Media Studies, University of Bergen, Bergen, Norway

    Asbjorn Gronstad

About the author

Asbjørn Grønstad is professor of visual culture in the Department of Information Science and Media Studies, University of Bergen, where he is also founding director of the Nomadikon Center for Visual Culture Studies. The author or editor of nine books and numerous articles, his latest publication is Seeing Whole: Toward an Ethics and Ecology of Sight (co-edited with Mark Ledbetter, 2016).

Bibliographic Information

  • Book Title: Film and the Ethical Imagination

  • Authors: Asbjorn Gronstad

  • DOI: https://doi.org/10.1057/978-1-137-58374-1

  • Publisher: Palgrave Macmillan London

  • eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)

  • Copyright Information: The Editor(s) (if applicable) and The Author(s) 2016

  • Hardcover ISBN: 978-1-137-58373-4Published: 19 December 2016

  • eBook ISBN: 978-1-137-58374-1Published: 24 November 2016

  • Edition Number: 1

  • Number of Pages: XIII, 260

  • Number of Illustrations: 1 b/w illustrations, 11 illustrations in colour

  • Topics: Film Theory, Ethics, British Cinema and TV

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