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Palgrave Macmillan

Russian Theatre In The Age Of Modernism

  • Book
  • © 1990

Overview

Editors:
  1. Robert Russell

    1. University of Sheffield, UK

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    You can also search for this editor in PubMed   Google Scholar

  2. Andrew Barratt

    1. University of Otago, New Zealand

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    You can also search for this editor in PubMed   Google Scholar

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Table of contents (11 chapters)

  1. Front Matter

    Pages i-xii
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  2. Stanislavsky’s Production of Chekhov’s Three Sisters

    • Nick Worrall
    Pages 1-32

  3. Boris Geyer and Cabaretic Playwriting

    • Laurence Senelick
    Pages 33-65

  4. Boris Pronin, Meyerhold and Cabaret: Some Connections and Reflections

    • Michael Green
    Pages 66-86

  5. Leonid Andreyev’s He Who Gets Slapped: Who Gets Slapped?

    • Andrew Barratt
    Pages 87-105

  6. Kuzmin, Gumilev and Tsvetayeva as Neo-Romantic Playwrights

    • Simon Karlinsky
    Pages 106-122

  7. Mortal Masks: Yevreinov’s Drama in Two Acts

    • Spencer Golub
    Pages 123-147

  8. The First Soviet Plays

    • Robert Russell
    Pages 148-171

  9. The Nature of the Soviet Audience: Theatrical Ideology and Audience Research in the 1920s

    • Lars Kleberg
    Pages 172-195

  10. German Expressionism and Early Soviet Drama

    • Harold B. Segel
    Pages 196-218

  11. Down with the Foxtrot! Concepts of Satire in the Soviet Theatre of the 1920s

    • J. A. E. Curtis
    Pages 219-235

  12. Mikhail Bulgakov: the Status of the Dramatist and the Status of the Text

    • Lesley Milne
    Pages 236-259

  13. Back Matter

    Pages 260-269
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Keywords

Editors and Affiliations

  • University of Sheffield, UK

    Robert Russell

  • University of Otago, New Zealand

    Andrew Barratt

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