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  • Textbook
  • © 2001

Thomas Hardy: The Novels

Authors:

Part of the book series: Analysing Texts (ANATX)

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Table of contents (10 chapters)

  1. Front Matter

    Pages i-viii
  2. The Novels

    1. Front Matter

      Pages 1-1
    2. Writer and Reader

      • Norman Page
      Pages 4-29
    3. Beginnings and Endings

      • Norman Page
      Pages 30-58
    4. Nature and Humanity

      • Norman Page
      Pages 59-83
    5. Individuals and Communities

      • Norman Page
      Pages 84-107
    6. Tradition and Change

      • Norman Page
      Pages 108-129
    7. Men and Women

      • Norman Page
      Pages 130-157
  3. The Context

    1. Front Matter

      Pages 159-159
    2. Hardy’s Life and Work

      • Norman Page
      Pages 161-173
    3. The Context of Hardy’s Fiction

      • Norman Page
      Pages 174-182
    4. Samples of Criticism

      • Norman Page
      Pages 183-193
    5. Guide to Further Reading

      • Norman Page
      Pages 194-197
  4. Back Matter

    Pages 198-199

About this book

This book is designed to serve as a practical guide for students and others wishing to improve their skills in the detailed analysis and discussion of Hardy's prose texts. Its aim is to sharpen readers' awareness of the complexity and subtlety of Hardy's art by encouraging responsiveness to such aspects as language and style, imagery and symbol, descriptive and dramatic method and narrative technique. At the same time extracts are considered not in isolation but in relation to the overall purposes of a highly-organised text.

While the main focus is on four of Hardy's most-widely read novels, the twenty-four examples of close analysis cover six major themes that are relevant to all his fiction. There are also numerous references to his other writings in prose and verse. The second part of the book provides, in succinct form, essential background material, including an outline of Hardy's life and career and an account of the literary, historical and intellectual contexts of his fiction. As well as a guide to further reading, a chapter is devoted to samples of criticism illustrating a range of approaches to the chosen texts and representing the work of important critics past and present.

About the author

NORMAN PAGE is Emeritus Professor of Modern English Literature at the University of Nottingham.

Bibliographic Information