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Palgrave Macmillan
Book cover

Reading for Wonder

Ecology, Ethics, Enchantment

  • Book
  • © 2018

Overview

  • Offers a bold and compelling alternative to reading literature and art through the lens of wonder and not critique
  • Opens up wonder not as a theoretical approach but instead a vital mode of thought for educational, interdisciplinary, and environmental purposes
  • Discusses an abundance of source material stretching from ancient philosophy through twentieth-century literature and arts including King Kong, Life of Pi, and the works of Edgar Allan Poe

Part of the book series: Literatures, Cultures, and the Environment (LCE)

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Table of contents (5 chapters)

Keywords

About this book

In a world awash in awesome, sensual technological experiences, wonder has diverse powers, including awakening us to unexpected ecological intimacies and entanglements.  Yet this deeply felt experience—at once cognitive, aesthetic, and ethical—has been dangerously neglected in our cultural education.  In order to cultivate the imaginative empathy and caution this feeling evokes, we need to teach ourselves and others to read for wonder.  This book begins by unfolding the nature and artifice of wonder as a human capacity and as a fabricated experience.  Ranging across poetry, foodstuffs, movies, tropical islands, wonder cabinets, apes, abstract painting, penguins and more, Reading for Wonder offers an anatomy of wonder in transmedia poetics, then explores its ethical power and political risks from early modern times to the present day.  To save ourselves and the teeming life of our planet, indeed to flourish, we must liberate wonder from ideologies of enchantment and disenchantment, understand its workings and their ethical ambivalence, and give it a clear language and voice.




Authors and Affiliations

  • Department of English, Queen’s University, Kingston, Canada

    Glenn Willmott

About the author

Glenn Willmott is Professor of English and Cultural Studies at Queen’s University in Canada.  His work pursues ecological and economic messages in modern literatures and the poetics of comics.  Recent books are Modernist Goods: Primitivism, the Market, and the Gift (2008) and Modern Animalism: Habitats of Scarcity and Wealth in Comics and Literature (2012).

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