Skip to main content
Palgrave Macmillan

A Cinema of Hopelessness

The Rhetoric of Rage in 21st Century Popular Culture

  • Book
  • © 2021

Overview

  • Provides a rich and in-depth account of political thinking around pop culture artefacts
  • Discusses current debates with rationale that is distinctive in its move away from an identity based approach
  • Explores complex material including Berlant’s cruel optimism, with commentary upon the wider international context

Part of the book series: Rhetoric, Politics and Society (RPS)

This is a preview of subscription content, log in via an institution to check access.

Access this book

eBook USD 54.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book USD 69.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access

Licence this eBook for your library

Institutional subscriptions

Table of contents (5 chapters)

Keywords

About this book

This book explores the circulation of anger and hostility in contemporary American culture with particular attention to the fantasy of refusal, a dream of rejecting all the structures of the contemporary political and economic system. Framing the question of public sentiment through the lens of rhetorical studies, this book traces the circulation of symbols that craft public feelings in contemporary popular cinema. Analyzing popular twenty-first century films as invitations to a particular way of feeling, the book delves into the way popular sentiments are circulated and intensified. The book examines dystopian films (The Purge, The Cabin in the Woods), science fiction (Snowpiercer), and superhero narratives (the Marvel Cinematic Universe and Joker). Across these varied films, an affective economy that emphasizes grief, betrayal, refusal, and an underlying rage at the seeming hopelessness of contemporary culture is uncovered. These examinations are framedin terms of ongoing political protests ranging from Occupy Wall Street, the Tea Party, Black Lives Matter, and the 6th January 2021 invasion of the US Capitol Building.


Reviews

Phillips offers an incisive, subtle, and compelling analysis of the cinematic present that also poses difficult questions for the political present. A Cinema of Hopelessness has the courage to deeply examine contemporary popular cinema in a political context. While pointing to a generalized affective atmosphere of hopelessness, this book does not succumb to negativity. On the contrary, out of hopelessness, Phillips glimpses the contours of hope, a way out, a future that contemporary cinema gives us the possibility of imagining. - Dr Richard Rushton, Lancaster University

Authors and Affiliations

  • Communication & Rhetorical Studies, Syracuse University, Syracuse, USA

    Kendall R. Phillips

About the author

Kendall R. Phillips is Professor of Communication and Rhetorical Studies at Syracuse University, USA. His publications include Projected Fears: Horror Films and American Culture (2005), Dark Directions: Romero, Craven, Carpenter and the Modern Horror Film (2012) and A Place of Darkness: The Rhetoric of Horror in Early American Cinema (2018).


Bibliographic Information

Publish with us