Authors:
- Provides a simultaneously detailed and accessible analysis of Baroque aesthetics
- Takes a multidisciplinary approach to this under-explored subject, opening up the topic's analysis and interpretation to a wider audience
- Investigates the intersection of contemporary and medieval philosophy in its exploration of Italian Baroque culture
Part of the book series: Performance Philosophy (PPH)
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Table of contents (7 chapters)
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Front Matter
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Discipline and Excess
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Front Matter
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Back Matter
About this book
Reviews
“A worthy addition to the Jesuit theater bookshelf.” (Kevin J. Wetmore, Journal of Jesuit Studies, Vol. 5, 2018)
Authors and Affiliations
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Independent Scholar, Asheville, USA
Will Daddario
About the author
Will Daddario is Co-Editor with Karoline Gritzner of Adorno and Performance (2014) and with Laura Cull Ó Maoilearca of Manifesto Now! Instructions for Performance, Philosophy, Politics (2013). He is the Chair of the Performance and Philosophy Working Group within Performance Studies international and a founding member of the international network Performance Philosophy.
Bibliographic Information
Book Title: Baroque, Venice, Theatre, Philosophy
Authors: Will Daddario
Series Title: Performance Philosophy
DOI: https://doi.org/10.1007/978-3-319-49523-1
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2017
Hardcover ISBN: 978-3-319-49522-4Published: 14 June 2017
Softcover ISBN: 978-3-319-84179-3Published: 01 August 2018
eBook ISBN: 978-3-319-49523-1Published: 02 June 2017
Series ISSN: 2947-5589
Series E-ISSN: 2057-7176
Edition Number: 1
Number of Pages: IX, 261
Topics: Theatre History, Aesthetics, History of Early Modern Europe, Fine Arts, National/Regional Theatre and Performance