Editors:
Brings together scholars, artists and event organizers to share their insights on key underground music productions broadly defined (recordings and various other objects; events; visual documents, etc.) and/or to provide critical accounts of some of the most important underground music actors in Hong Kong and in neighbouring south-east Asian countries
While emphasizing contributions dealing with Hong Kong specifically, also includes case studies dealing with Mainland Chinese, Japanese and Philippian underground music practices either specifically or comparatively
Valuable resource for students and teachers of cultural studies, popular cultures, Asian studies, ethnography, anthropology and human geography, as well as practitioners, promoters, and producers interested in underground music production in an Asian context
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Table of contents (18 chapters)
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Front Matter
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Part One: Perspectives on the Hong Kong Underground
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Front Matter
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Part Two, Take 1: Individual Case Studies in Noise/Experimental Music/Free Improvisation
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Front Matter
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Part Two, Take 2: Individual Case Studies in Sound and Contemporary Art
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Front Matter
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Part Two, Take 3: Individual Case Studies in Indie-Rock/Indie-Pop and Electronic Music
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Front Matter
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Part Three: Interfaces
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Front Matter
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About this book
Editors and Affiliations
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School of Creative Media, City University of Hong Kong, Kowloon Tong, Hong Kong
Damien Charrieras
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Department of Music and Department of Humanities & Creative Writing, Hong Kong Baptist University, Kowloon Tong, Hong Kong
François Mouillot
About the editors
Dr. François Mouillot holds a joint appointment as Research Assistant Professor in the Department of Music and in the Department of Humanities and Creative Writing at the Hong Kong Baptist University, where he is also a member of the Creative Media and Practice Research Cluster. He has written extensively on independent rock and improvised poetry in the Basque region of France, the role of DIY record labels and other institutions in Montreal’s experimental music scenes, and on underground music in Hong Kong.
Bibliographic Information
Book Title: Fractured Scenes
Book Subtitle: Underground Music-Making in Hong Kong and East Asia
Editors: Damien Charrieras, François Mouillot
DOI: https://doi.org/10.1007/978-981-15-5913-6
Publisher: Palgrave Macmillan Singapore
eBook Packages: Social Sciences, Social Sciences (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapore Pte Ltd. 2021
Hardcover ISBN: 978-981-15-5912-9Published: 30 March 2021
Softcover ISBN: 978-981-15-5915-0Published: 31 March 2022
eBook ISBN: 978-981-15-5913-6Published: 29 March 2021
Edition Number: 1
Number of Pages: XXIII, 268
Number of Illustrations: 41 b/w illustrations
Topics: Anthropology, Human Geography, Cultural Anthropology, Music, Asian Culture