![The Colonial Public and the Parsi Stage]( "The Colonial Public and the Parsi Stage")
Book
Nicholson, R. D. (2021)
The Colonial Public and the Parsi Stage is the first comprehensive study of the Parsi theatre, colonial South and Southeast Asia’s most influential cultural phenomenon and the …
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![A History of East African Theatre, Volume 1]( "A History of East African Theatre, Volume 1")
Book
Plastow, J. (2020)
This book is the first ever transnational theatre study of an African region. Covering nine nations in two volumes, the project covers a hundred years of theatre making across …
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![The Challenge of World Theatre History]( "The Challenge of World Theatre History")
Book
Tillis, S. (2020)
The future of theatre history studies requires consideration of theatre as a global phenomenon. The Challenge of World Theatre History offers the first full-scale argument for …
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![Performance, Subjectivity, Cosmopolitanism]( "Performance, Subjectivity, Cosmopolitanism")
Book
Meerzon, Y. (2020)
This book looks at the connection between contemporary theatre practices and cosmopolitanism, a philosophical condition of social behaviour based on our responsibility, respect, …
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![Touring Variety in the Asia Pacific Region, 1946–1975]( "Touring Variety in the Asia Pacific Region, 1946–1975")
Book
Bollen, J. (2020)
Aviation extended the horizon of international touring across Asia and the Pacific in the 1950s and 1960s. Nightclubs in Hong Kong, Manila, Melbourne, Singapore, Sydney, Tokyo, …
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![Performances of Suffering in Latin American Migration]( "Performances of Suffering in Latin American Migration")
Book
Puga, A. E., Espinosa, V. M. (2020)
This book questions the reliance on melodrama and spectacle in social performances and cultural productions by and about migrants from Mexico and Central America to the United …
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![Border-Crossing and Comedy at the Théâtre Italien, 1716–1723]( "Border-Crossing and Comedy at the Théâtre Italien, 1716–1723")
Book
McMahan, M. J. (2021)
How do nationalized stereotypes inform the reception and content of the migrant comedian’s work? How do performers adapt? What gets lost (and found) in …
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