Overview
- Explores the lives and work of Michael Field, the poetic identity created by Katharine Bradley and Edith Cooper
- Shows how their use of genre and form relates to their modes of self-creation, as well as poetic composition
- Examines their use of a range of poetic forms: songs, sonnets, ekphrastic poetry, devotional poems, verse drama, masque
Part of the book series: Palgrave Studies in Nineteenth-Century Writing and Culture (PNWC)
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Table of contents (9 chapters)
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Front Matter
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Back Matter
Keywords
About this book
Authors and Affiliations
About the author
Bibliographic Information
Book Title: The Forms of Michael Field
Authors: LeeAnne M. Richardson
Series Title: Palgrave Studies in Nineteenth-Century Writing and Culture
DOI: https://doi.org/10.1007/978-3-030-86126-1
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2021
Hardcover ISBN: 978-3-030-86125-4Published: 09 November 2021
Softcover ISBN: 978-3-030-86128-5Published: 10 November 2022
eBook ISBN: 978-3-030-86126-1Published: 08 November 2021
Series ISSN: 2634-6494
Series E-ISSN: 2634-6508
Edition Number: 1
Number of Pages: XI, 282
Number of Illustrations: 5 b/w illustrations
Topics: Nineteenth-Century Literature, Literary Theory, Poetry and Poetics, Cultural Theory, Gender Studies