Performing Transversally

1. Front Matter

   Pages i-xvii

   PDF

2. Transversal Performance: Shakespace, the September 11 Attacks, and the Critical Future

   • Bryan Reynolds

   Pages 1-28

3. The Making of Authorships: Transversal Navigation in the Wake of Hamlet, Robert Wilson, Wolfgang Wiens, and Shakespace

   • D. J. Hopkins, Bryan Reynolds

   Pages 29-51

4. Venetian Ideology or Transversal Power? Iago’s Motives and the Means by which Othello Falls

   • Joseph Fitzpatrick, Bryan Reynolds

   Pages 53-83

5. “What is the city but the People?” Transversal Performance and Radical Politics in Shakespeare’s Coriolanus and Brecht’s Coriolan

   • Bryan Reynolds

   Pages 85-110

6. Untimely Ripped: Mediating Witchcraft in Polanski and Shakespeare

   • Bryan Reynolds

   Pages 111-135

7. Nudge, Nudge, Wink, Wink, Know What I Mean, Know What I Mean? A Theoretical Approach to Performance for a Post-Cinema Shakespeare

   • D. J. Hopkins, Catherine Ingman, Bryan Reynolds

   Pages 137-170

8. “A little touch of Harry in the night”: Translucency and Projective Transversality in the Sexual and National Politics of Henry V

   • Donald Hedrick, Bryan Reynolds

   Pages 171-188

9. Inspriteful Ariels: Transversal Tempests

   • Bryan Reynolds, Ayanna Thompson

   Pages 189-214

10. “For such a sight will blind a father’s eye”: The Spectacle of Suffering in Taymor’s Titus

    • Courtney Lehmann, Bryan Reynolds, Lisa Starks

    Pages 215-243

11. Friend or Fo, Shakespeare’s Ends is the Means: Revising Early Modern English Iconography, Elisabetta Points Toward the Critical Future

    • Bryan Reynolds, Janna Segal

    Pages 245-270

12. Afterword: Walk Like an Egyptian

    • Jonathan Gil Harris

    Pages 271-286

13. Back Matter

    Pages 287-319

    PDF

Performing Transversally expands on Bryan Reynolds' controversial transversal theory in exciting ways while offering groundbreaking analyses of Shakespeare's plays - Hamlet , Othello , Macbeth , Taming of the Shrew , Titus Andronicus , Henry V , The Tempest , and Coriolanus - and textual, filmic, and theatrical adaptations of them. With his collaborators, Reynolds challenges traditional readings of Shakespeare, re-evaluating the critical methodologies that characterize them, in regard to issues of cultural difference, authorship, representation, agency, and iconography. Reynolds demonstrates the value of his 'investigative-expansive mode,' outlining a 'transversal poetics' that points toward a critical future that is more aware of its subjective interconnectedness with the topics and audiences it seeks to engage than is reflected in most Shakespeare criticism and literary-cultural scholarship.

• Hamlet
• Macbeth
• poetics
• William Shakespeare
• British and Irish Literature

"Performing Transversally is an innovative example of collaborative scholarship aimed at opening the classic Shakespearean text to unexpected interpretive contexts and possibilities. Whether exploring the sado-masochistic dynamics of Othello or bringing Shakespeare and Dario Fo into productive dialogue, Reynolds and his collaborators use Shakespeare to explore uncharted emotional and cognitive landscapes.... Performing Transversally offers a highly-caffeinated alternative to conventional criticism." - Jean E. Howard, William E. Ransford Professor of English, Columbia University

"In Performing Transversally, Reynolds takes his collaborators and us on a dazzling, even mind-altering trip through what Reynolds calls 'Shakespace,' offering us trenchant sociohistorical readings both of Shakespeare's plays and adaptations of them by Dryden, Polanski, Brecht, Césaire, Wilson, Fo, and Taymor. Reynolds powerfully reaffirms the agency of the subject and offers hope for theoretical intervention as a viable form of political activism conceived quite daringly here as the transcendence of all conceptual, emotional, social, and physical limits." - Richard Burt, author of Unspeakable ShaXXXspeares

"Transferring models of collaborative authorship from theatre and performance to academic discourse, Performing Transversally productively sets out to re-imagine a critical terrain for Shakespeare in which text and critic are in constant movement, where dispersals, expansions, variabilities, metamorphoses, reconfigurations, alternatives, and contradictions rule. Offering multivocal, processual accounts of how such conversations and negotiations invite links between fields of discourse, Reynolds and co-performers are master jugglers, keeping multiple texts, objects, ideas and ideologies simultaneously in view." - Barbara Hodgdon, University of Michigan

"In Performing Transversally, Bryan Reynolds and a group of collaborators challenge critical orthodoxy by venturing into 'transversal territory' and into the overlapping realm of 'Shakespace.'. . . Because it insists that 'transversality' is the liberating, responsibility-conferring space where we can begin to understand and empathize with other people and other cultures, and because it insistently characterizes Shakespearean performance as 'transversal,' the book amounts to an important and marvelously high-spirited contribution to the turn toward ethics in literary and cultural studies." - Paul Yachnin, Tomlinson Professor of Shakespeare Studies, McGill University

BRYAN REYNOLDS is Associate Professor of Drama at the University of
California at Irvine, USA. He earned his Ph.D. from Harvard, where he studied Shakespeare under Marjorie Garber and Stephen Greenblatt.

Bryan has recently been named as one of Gary Taylor's '6 most brilliant Renaissance scholars in the world under 40'

Policies and ethics