Popular Cinema as Political Theory

Idealism and Realism in Epics, Noirs, and Satires

Authors: Nelson, J.

Free Preview

Buy this book

eBook £63.99
price for United Kingdom (gross)
  • ISBN 978-1-137-37386-1
  • Digitally watermarked, DRM-free
  • Included format: EPUB, PDF
  • ebooks can be used on all reading devices
  • Immediate eBook download after purchase
Hardcover £79.99
price for United Kingdom (gross)
  • ISBN 978-1-137-37470-7
  • Free shipping for individuals worldwide
  • Usually dispatched within 3 to 5 business days.
Softcover £66.00
price for United Kingdom (gross)
  • ISBN 978-1-349-47708-1
  • Free shipping for individuals worldwide
  • This title is currently reprinting. You can pre-order your copy now.
About this book

The book presents cinematic case studies in political realism versus political idealism, demonstrating methods of viewing popular cinema as political theory. The book appreciates political myth-making in popular genres as especially practical and accessible theorizing about politics.

About the authors

John S. Nelson is Professor of Political Theory and Communication at the University of Iowa, USA. There he has directed the Project on Rhetoric of Inquiry, the Bridging Project for International and Interdisciplinary Studies, and Honors at Iowa. He has edited Poroi, an interdisciplinary journal on rhetoric in culture, inquiry, and politics, plus book series on Rhetoric of the Human Sciences and New Practices of Inquiry. His books include Video Rhetorics and Tropes of Politics.

Reviews

'In this insightful analysis, John Nelson examines the intersections of popular culture and politics. Treating film as examples of practical reasoning, Nelson explores the ways in which cinematic texts contribute to public understandings of our communal life. He analyzes film through the lenses of genre (epic, noir, satire) and political theory (with particular emphasis on realism and idealism) and concludes that cinematic myth making both reflects and defines public understanding of politics in interesting ways. Nelson's book provides important evidence that political philosophy is neither dead nor confined to the academy, but is an on-going, shared enterprise, actively engaged in by the mass public. Well-written and provocative, this book will interest students and scholars of film, popular culture, history, rhetoric, and politics.' Mary E. Stuckey, Professor, Communication and Political Science, Georgia State University, USA

'Just what do we see at the movies? Fantasy and fashion aplenty, but political theory? John Nelson's answer to this question is both surprising and compelling. Popular films teach their audiences how to think about politics pragmatically and creatively and by using the ideas, although not the terms, that have defined political philosophy. Nelson provides a detailed and systematic vocabulary for critical study of how this public art mediates political experience. This original book is sure prompt many vibrant discussions about media and politics.' Robert Hariman, Northwestern University, USA, and author of Political Style: The Artistry of Power

'In Popular Cinema as Political Theory Nelson offers a subtle formal analysis of genre, an impressive categorizing of films within his three chosen genres, combined with a series of deft readings of a wide variety of popular films. Most readers of this book will know (and love) some of the films discussed herein and many will know most, but every reader will take away from the book a deeper appreciation for how popular cinema today operates as political theory.' Samuel A. Chambers, Associate Professor of Political Science, Johns Hopkins University, USA, and Editor, Contemporary Political Theory

"John Nelson's latest publication, Popular Cinema as Political Theory, explores the field of political theory through the unconventional lens of popular film and television. Nelson's work classifies the cultural artifacts studied into three areas: epics, noirs, and satires. He uses these narrative demarcations to open up the films under discussion to explore them along side classical texts and conceptions within political theory while highlighting the ways in which contemporary political myths work their way into our common cultural conversation, often unbeknownst to us as citizens. Nelson's astute analysis provides a fresh and convincing exploration of some of the most popular films of the past two decades. He also teaches the reader to be aware of what is communicated through often unexplored or unanticipated cultural avenues. This book makes a significant contribution to the field of political theory by using popular culture texts to examine classical themes and narrative conceits." Lilly J. Goren, Professor of Political Science, Carroll University, USA


Table of contents (6 chapters)

Table of contents (6 chapters)

Buy this book

eBook £63.99
price for United Kingdom (gross)
  • ISBN 978-1-137-37386-1
  • Digitally watermarked, DRM-free
  • Included format: EPUB, PDF
  • ebooks can be used on all reading devices
  • Immediate eBook download after purchase
Hardcover £79.99
price for United Kingdom (gross)
  • ISBN 978-1-137-37470-7
  • Free shipping for individuals worldwide
  • Usually dispatched within 3 to 5 business days.
Softcover £66.00
price for United Kingdom (gross)
  • ISBN 978-1-349-47708-1
  • Free shipping for individuals worldwide
  • This title is currently reprinting. You can pre-order your copy now.

Services for this book

Loading...

Bibliographic Information

Bibliographic Information
Book Title
Popular Cinema as Political Theory
Book Subtitle
Idealism and Realism in Epics, Noirs, and Satires
Authors
Copyright
2013
Publisher
Palgrave Macmillan US
Copyright Holder
Palgrave Macmillan, a division of Nature America Inc.
eBook ISBN
978-1-137-37386-1
DOI
10.1057/9781137373861
Hardcover ISBN
978-1-137-37470-7
Softcover ISBN
978-1-349-47708-1
Edition Number
1
Number of Pages
XII, 249
Topics