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Palgrave Macmillan

Early Modern Diplomacy, Theatre and Soft Power

The Making of Peace

  • Book
  • © 2016

Overview

  • The book examines the discussion of diplomacy and soft power in the plays of Shakespeare and Cervantes and their English, French, Italian and German contemporaries.
  • It provides an international cross-cultural focus on the negotiation of European political and confessional conflicts and the official and non-official strategies of appeasement.
  • The strong international array of up-and-coming and established scholars in literature and diplomatic history investigates early modern diplomatic forms of preservation of a European entente in the wake of the emergence of the nation-state.

Part of the book series: Early Modern Literature in History (EMLH)

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Table of contents (10 chapters)

  1. From Truce to Negotiated Peace: The Temporal Diplomacies of a Literature of Appeasement

  2. A Very Political Peacemaker: The Stage Ambassador Between Diplomatic Tactics and Political Strategies

  3. Conciliatory Networks as Soft Power: A Dynamic Diplomacy of Cross-Confessional Appeasement

Keywords

About this book

This book explores the secret relations between theatre and diplomacy from the Tudors to the Treaty of Westphalia. It offers an original insight into the art of diplomacy in the 1580-1655 period through the prism of literature, theatre and material history.

Contributors investigate English, Italian and German plays of Renaissance theoretical texts on diplomacy, lifting the veil on the intimate relations between ambassadors and the artistic world and on theatre as an unexpected instrument of 'soft power'. The volume offers new approaches to understanding Early Modern diplomacy, which was a source of inspiration for Renaissance drama for Shakespeare and his European contemporaries, and contributed to fashion the aesthetic and the political ideas and practice of the Renaissance. 

Editors and Affiliations

  • University of Toulouse, Jean-Jaurès, France

    Nathalie Rivère de Carles

About the editor

Nathalie Rivere de Carles is Reader in Early Modern English Drama at the University of Toulouse Jean-Jaurès, France. She authored chapters in the Oxford Handbook of Shakespearean Tragedy (2015) and in Shakespeare's Theatres and the Effects of Performance (2013); and is a contributing Textual Editor of the third edition of The Norton Shakespeare.

Bibliographic Information

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