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Palgrave Macmillan

Moby-Dick and Melville’s Anti-Slavery Allegory

  • Book
  • © 2017

Overview

  • Grapples with provocative and controversial questions of race that will refresh readers with a timely reading of a novel that has been exhaustively discussed
  • Combines a plethora of biographical and archival research to lay out its convincing case
  • Offers a comprehensive account of the book's literary history but also scholarly history surrounding the topic of race

Part of the book series: American Literature Readings in the 21st Century (ALTC)

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Table of contents (14 chapters)

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About this book

This book unfurls and examines the anti-slavery allegory at the subtextual core of Herman Melville’s famed novel, Moby-Dick. Brian Pellar points to symbols and allusions in the novel such as the albinism of the famed whale, the “Ship of State” motif, Calhoun’s “cords,” the equator, Jonah, Narcissus, St. Paul, and Thomas Hobbe’s Leviathan. The work contextualizes these devices within a historical discussion of the Compromise of 1850 and subsequently strengthened Fugitive Slave Laws. Drawing on a rich variety of sources such as unpublished papers, letters, reviews, and family memorabilia, the chapters discuss the significance of these laws within Melville’s own life.  


After clarifying the hidden allegory interconnecting black slaves and black whales, this book carefully sheds the layers of a hidden meaning that will be too convincing to ignore for future readings: Moby-Dick is ultimately a novel that is intimately connected with questions of race, slavery, and the state. 



Authors and Affiliations

  • Boston, USA

    Brian R. Pellar

About the author

Brian Pellar has authored four papers in Sino-Platonic Papers, a scholarly monographic series. After serving four years in the US Navy, he studied art, biology, and psychology, and ultimately English. He currently lives in Boston, MA.

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