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  • © 2018

Performing Character in Modern Irish Drama

Between Art and Society

Palgrave Macmillan

Authors:

  • Situates Irish drama in the context of European drama and wider developments within the field of humanities

  • Pursues a clear theme of the representation of the human self and its evolution through distinct historical periods

  • Reflects the condition of Irish society in the context of political and philosophical changes of the twentieth and twenty-first centuries

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Table of contents (4 chapters)

  1. Front Matter

    Pages i-xv
  2. Introduction

    • Michał Lachman
    Pages 1-21
  3. Social Man

    • Michał Lachman
    Pages 23-137
  4. Linguistic Man

    • Michał Lachman
    Pages 139-228
  5. Interactive Man

    • Michał Lachman
    Pages 229-303
  6. Back Matter

    Pages 305-312

About this book

This book is about the history of character in modern Irish drama. It traces the changing fortunes of the human self in a variety of major Irish plays across the twentieth century and the beginning of the new millennium. Through the analysis of dramatic protagonists created by such authors as Yeats, Synge, O’Casey, Friel and Murphy, and McGuinness and Walsh, it tracks the development of aesthetic and literary styles from modernism to more recent phenomena, from Celtic Revival to Celtic Tiger, and after.

The human character is seen as a testing ground and battlefield for new ideas, for social philosophies, and for literary conventions through which each historical epoch has attempted to express its specific cultural and literary identity. In this context, Irish drama appears to be both part of the European literary tradition, engaging with its most contentious issues, and a field of resistance to some conventions from continental centres of avant-garde experimentation. Simultaneously, it follows artistic fashions and redefines them in its critical contribution to European artistic and theatrical diversity.

Authors and Affiliations

  • University of Łódź, Łódź, Poland

    Michał Lachman

About the author

Michał Lachman is Lecturer in English and Irish Drama at the Department of Drama, University of Lodz, Poland. His research interests include the history of twentieth-century British and Irish drama, literary theory and translation. He has published on Brian Friel, Martin McDonagh, Sarah Kane, Mark Ravenhill and Howard Barker, and translated Frank McGuinness’s and Christina Reid’s plays into Polish.

Bibliographic Information

Buy it now

Buying options

eBook USD 99.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 129.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 129.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access