Skip to main content
Palgrave Macmillan
Book cover

John Clare's Romanticism

  • Book
  • © 2017

Overview

  • Puts forward the first extended series of comparisons of Clare’s poetry with the poetry of his Romantic contemporaries and near contemporaries

  • Examines Clare alongside key Romantic figures such as Byron, Wordsworth and Keats

  • Makes fully evident Clare’s original but as yet still neglected contribution to the aesthetic and poetic culture of the age

This is a preview of subscription content, log in via an institution to check access.

Access this book

eBook USD 84.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 109.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access

Licence this eBook for your library

Institutional subscriptions

Table of contents (10 chapters)

  1. Critical Contexts

  2. Aesthetic Categories and Creative Faculties

  3. Imaginative Participations

  4. The Love Lyric

  5. Conclusion

Keywords

About this book

This book offers a major reassessment of John Clare’s poetry and his position in the Romantic canon. Alert to Clare’s knowledge of the work of his Romantic contemporaries and near contemporaries, it puts forward the first extended series of comparisons of Clare’s poetry with texts we now think of as defining the period – in particular poems by Robert Burns, William Wordsworth, Lord Byron, and John Keats. It makes fully evident Clare’s original contribution to the aesthetic culture of the age by analysing how he explores a wide range of concerns and preoccupations which are central to, and especially privileged in, Romantic-period poetics, including ‘fancy’, the sublime, childhood, ruins, joy, ‘poesy’, and a love lyric marked by a peculiar self-consciousness about sincere expression. At the heart of this book is the claim that the hitherto under-scrutinised subjective stances, transcendent modes, and abstract qualities of Clare’s lyric poetry situate him firmly within, and as fundamentally part of, Romanticism, at the same time as his writing constitutes a distinctive contribution to one of the most fascinating eras of English literature.

Authors and Affiliations

  • The Open University, Milton Keynes, United Kingdom

    Adam White

About the author

Adam White is an Editor in the Faculty of Arts and Social Sciences at The Open University, UK. He obtained his doctorate from the University of Manchester, UK and taught there for a number of years. He is a Fellow of the Higher Education Academy, and has published widely on Romantic-period writing.

Bibliographic Information

Publish with us