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Palgrave Macmillan

National Identities and Imperfections in Contemporary Irish Literature

Unbecoming Irishness

  • Book
  • © 2017

Overview

  • Focuses both on contemporary Irish writers who are widely read, and those which are yet to receive much critical attention
  • Includes contributions from well known figures, such as scholars Ciarán Benson and Patricia Coughlan, acclaimed novelist Lia Mills and one of Ireland's leading abstract painters, Bridget Flannery
  • Takes an interdisciplinary approach of interest to scholars working in film, linguistics, ecocriticism, disability studies and medical humanities

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Table of contents (14 chapters)

  1. Disruptions of Religion, Family and Marriage

  2. Ex-Centric Bodies and Disquieting Spaces

  3. Stereotypes and the Distortion of Irishness

  4. Unbecoming Irish Literature: The Inside Gaze

Keywords

About this book

This book is about the role that the imperfect, the disquieting and the dystopian are currently playing in the construction of Irish identities. All the essays assess identity issues that require urgent examination, problematize canonical definitions of Irishness and, above all, look at the ways in which the artistic output of the country has been altered by the Celtic Tiger phenomenon and its subsequent demise. Recent narrative from Ireland, principally published in the twenty-first century and/or at the end of the 1990s, is dealt with extensively. The authors examined include Eavan Boland, Mary Rose Callaghan, Peter Cunningham, Emma Donoghue, Anne Enright, Emer Martin, Lia Mills, Paul Muldoon, Eiléan Ní Chuilleanáin, Bernard O’Donoghue, Peter Sirr and David Wheatley.

Editors and Affiliations

  • University of Oviedo, Oviedo, Spain

    Luz Mar González-Arias

About the editor

Luz Mar González-Arias is Senior Lecturer in English and Irish Literatures at the University of Oviedo, Spain. She is the author of two monographs: Otra Irlanda (2000), and Cuerpo, mito y teoría feminista (1999). She researches in the areas of body theory and Medical Humanities as applied to the work of contemporary Irish women poets.

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