Action Figures

1. Front Matter

   Pages i-vi

   PDF

2. Introduction: Popular Representations of Active Masculinity since the Late 1960s

   • Mark Gallagher

   Pages 1-19

3. Armchair Thrills and the New Adventurer

   • Mark Gallagher

   Pages 21-44

4. “I Married Rambo”: Action, Spectacle, and Melodrama

   • Mark Gallagher

   Pages 45-80

5. Omega Men: Late 1960s and Early 1970s Action Heroes

   • Mark Gallagher

   Pages 81-111

6. Airport Fiction: The Men of Mass-Market Literature

   • Mark Gallagher

   Pages 113-158

7. Restaging Heroic Masculinity: Jackie Chan and the Hong Kong Action Film

   • Mark Gallagher

   Pages 159-192

8. Conclusion: The Future of Active Masculinity

   • Mark Gallagher

   Pages 193-207

9. Back Matter

   Pages 209-234

   PDF

What accounts for the massive global popularity of action films and adventure literature? How do men and women respond to iconic screen stars such as Jackie Chan, Arnold Schwarzenegger, Steve McQueen, and Charlton Heston? Action genres have been Hollywood's most profitable global exports for most of its history, their male heroes the subject of much fascination and derision. Bestselling literary thrillers, from The Hunt for Red October to Into Thin Air , have also contributed markedly to popular understandings of male activity. Action Figures takes stock of action narratives' many appeals and recognizes how contemporary crises of gender identity manifest themselves in popular commercial texts.

• film
• gender
• Hollywood
• women

MARK GALLAGHER has taught courses in film history and theory, film genres, and Twentieth-century literature at Oberlin College, the University of Oregon, the University of Missouri, Georgia State University and Oklahoma State University, USA. His articles on film and television have appeared in Jump Cut, Velvet Light Trap, the Journal of Popular Film and Television, the Quarterly Review of Film and Video, the Journal of Film and Video, and in other journals and anthologies.

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