Authors:
Offers key methodological insights from a practitioner-turned-researcher for direct application for students and researchers alike
Utilizes interdisciplinary methods to appeal to researchers working across creative media studies fields
Focuses on the nature of memory as a vital element of practice-led research
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Table of contents (8 chapters)
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Front Matter
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Back Matter
About this book
This book examines the challenges often experienced by film practitioners who find themselves researching within the academy, either as students or academics. In light of this the author presents her own journey from practitioner to researcher as a lens. Her practice- based research has been a quest to ”revision” memories, by creating filmic images that elicit memory and remembering. In so doing she has used a range of platforms: multi- screen video installation, still- framing the moving image and remixing found footage. Central to this research has been the importance of family storytelling and sharing, the relationship of the visual and memory, the agency of nostalgia and the role of aura, particularly evident in the re-appropriating of super 8 home movies into a variety of forms. Important to this is has been the relationship of the viewer and the viewed in particular the role of an immersive environment of viewing.
Authors and Affiliations
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School of Arts (Media), Australian Catholic University, Fitzroy, Australia
Diane Charleson
About the author
Diane Charleson is a Senior lecturer in Media at Australian Catholic University Melbourne, Australia, and previously at RMIT University. She is a filmmaking researcher who began her career as a documentary maker. Her research explores a variety of visual methods to revision memories that elicit memory recall and personal storytelling.
Bibliographic Information
Book Title: Filmmaking as Research
Book Subtitle: Screening Memories
Authors: Diane Charleson
DOI: https://doi.org/10.1007/978-3-030-24635-8
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2019
Hardcover ISBN: 978-3-030-24634-1Published: 31 October 2019
Softcover ISBN: 978-3-030-24637-2Published: 31 October 2020
eBook ISBN: 978-3-030-24635-8Published: 17 October 2019
Edition Number: 1
Number of Pages: XIII, 147
Number of Illustrations: 2 b/w illustrations, 9 illustrations in colour
Topics: Culture and Technology, Film and TV Production, Media and Communication, Research Methodology, Ethnography