Skip to main content
Palgrave Macmillan

Henry James in Contemporary Fiction

The Real Thing

  • Book
  • © 2020

Overview

  • First book-length consideration of the afterlife of James's life and texts in millennial literature

  • One of the first studies of the emergent genre of biofiction in relation to a single subject, and intervenes valuably in adaptation studies by considering literary appropriations rather than remediated texts

  • Contributes to adaptation studies' understanding of reader response, while also exploring the potential of appropriations to function as literary criticism by generating new perspectives on their source texts

This is a preview of subscription content, log in via an institution to check access.

Access this book

eBook USD 69.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 89.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 89.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access

Licence this eBook for your library

Institutional subscriptions

Table of contents (8 chapters)

Keywords

About this book

This book explores the extraordinary proliferation of novels based on Henry James’s life and works published between 2001 and 2016, the centenary of his death. Part One concentrates on biofictions about James by David Lodge and Colm Tóibín, and those written from the perspective of the key female figures in his life. Part Two explores appropriations of The Portrait of a Lady, The Turn of the Screw, and The Ambassadors. The book articulates the developments in biographical and adaptive writing that enabled millennial writers to engage so explicitly with James, locates the sources of his appeal, and explores the different forms of engagement taken. Layne analyses how these manifestations of James’s legacy might function differently for knowing versus unknowing readers, and how they might perform the role of literary criticism. Overarching themes include ideas of queering, the concern with seeking redress, and the frustrated quest for origin, authenticity, or ‘the real thing’.

Authors and Affiliations

  • De Montfort University, Leicester, UK

    Bethany Layne

About the author

Dr Bethany Layne is Senior Lecturer in English Literature at De Montfort University, Leicester. She has published widely on biographical fiction, in journals including The Henry James Review, Woolf Studies Annual, and Adaptation. She pioneered the first specialist biofiction module in the UK, and is the editor of a collection of essays on the genre.

Bibliographic Information

Publish with us