Skip to main content
Palgrave Macmillan
Book cover

Music Cities

Evaluating a Global Cultural Policy Concept

  • Book
  • © 2020

Overview

  • Evaluates the globalisation of the ‘music city’ as an urban cultural policy paradigm
  • Examines the advantages and challenges of adopting music city policies in a range of cities in different geographical contexts
  • Argues that local geographical, social and economic contexts and particularities shape the nature of music city policies (or lack thereof) in particular cities

Part of the book series: New Directions in Cultural Policy Research (NDCPR)

This is a preview of subscription content, log in via an institution to check access.

Access this book

eBook USD 109.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 139.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 139.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access

Licence this eBook for your library

Institutional subscriptions

Table of contents (10 chapters)

Keywords

About this book

This book provides a critical academic evaluation of the ‘music city’ as a form of urban cultural policy that has been keenly adopted in policy circles across the globe, but which as yet has only been subject to limited empirical and conceptual interrogation. With a particular focus on heritage, planning, tourism and regulatory measures, this book explores how local geographical, social and economic contexts and particularities shape the nature of music city policies (or lack thereof) in particular cities. The book broadens academic interrogation of music cities to include cities as diverse as San Francisco, Liverpool, Chennai, Havana, San Juan, Birmingham and Southampton. Contributors include both academic and professional practitioners and, consequently, this book represents one of the most diverse attempts yet to critically engage with music cities as a global cultural policy concept.

Editors and Affiliations

  • JMC Academy, Brisbane, Australia

    Christina Ballico

  • School of Social Sciences and Humanities, Loughborough University, Loughborough, UK

    Allan Watson

About the editors


Christina Ballico is Head of the Masters of Creative Industries at JMC Academy, Brisbane, Australia. Ballico is also an Adjunct Research Fellow at the Queensland Conservatorium Research Centre, Griffith University, Brisbane, Australia. Her research examines music industries and scenes, music cities and cultural policy.

Allan Watson is Senior Lecturer in Human Geography at Loughborough University, UK. Watson has published widely on the geographies of music. He is author of Cultural Production in and Beyond the Recording Studio (2014) and co-editor of Rethinking Creative Cities Policy: Invisible Agents and Hidden Protagonists (2015).






Bibliographic Information

Publish with us