Skip to main content
Palgrave Macmillan

The Challenge of World Theatre History

  • Book
  • © 2020

Overview

  • Offers the first full-scale and comprehensive argument for why theatre scholars and students should abandon an obsolete Eurocentric version of theatre history in favour of a more global perspective

  • Moves beyond the conventional nation-based approach to geography in favour of a regional geography of theatre

  • Outlines a chronology that recognizes the often-connected developments in theatre across Eurasia and around the world

This is a preview of subscription content, log in via an institution to check access.

Access this book

eBook USD 59.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 79.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access

Licence this eBook for your library

Institutional subscriptions

Table of contents (8 chapters)

Keywords

About this book

The future of theatre history studies requires consideration of theatre as a global phenomenon. The Challenge of World Theatre History offers the first full-scale argument for abandoning an obsolete and parochial Eurocentric approach to theatre history in favor of a more global perspective. This book exposes the fallacies that reinforce the conventional approach and defends the global perspective against possible objections. It moves beyond the conventional nation-based geography of theatre in favor of a regional geography and develops a new way to demarcate the periods of theatre history. Finally, the book outlines a history that recognizes the often-connected developments in theatre across Eurasia and around the world. It makes the case that world theatre history is necessary not only for itself, but for the powerful comparative and contextual insights it offers to all theatre scholars and students, whatever their special areas of interest.

Authors and Affiliations

  • Saint Mary’s College of California, Moraga, USA

    Steve Tillis

About the author

Steve Tillis is the author of Toward an Aesthetics of the Puppet (1992) and Rethinking Folk Drama (1999), as well as articles on world theatre history published in Theatre History Studies, New Theatre Quarterly, Theatre Survey, Theatre Topics, TDR: The Drama Review, and Asian Theatre Journal. He currently teaches at Saint Mary’s College of California, USA.


Bibliographic Information

Publish with us