Overview
- Discusses mise en scéne as a concept used in comics studies around the areas of the setting, acting and the frame of comics
- Uses recent developments in theatre and film theory to explore and re-evaluate elements of comics composition
- Asks what the use of comics theory can bring to theories in theatre and film studies
Part of the book series: Palgrave Studies in Comics and Graphic Novels (PSCGN)
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Table of contents (5 chapters)
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Front Matter
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Back Matter
Keywords
About this book
Reviews
—Ian Hornsby, University of Chichester, United Kingdom
Authors and Affiliations
About the author
Geraint D’Arcy is a practising scenographer, and the author of Critical Approaches to TV and Film Set Design (2019). A Lecturer in Media practice at the UEA, Norwich, he previously worked at USW, Cardiff, where he helped establish the bi-annual Creative Comics, Creating Comics symposium.
Bibliographic Information
Book Title: Mise en scène, Acting, and Space in Comics
Authors: Geraint D'Arcy
Series Title: Palgrave Studies in Comics and Graphic Novels
DOI: https://doi.org/10.1007/978-3-030-51113-5
Publisher: Palgrave Pivot Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2020
Hardcover ISBN: 978-3-030-51112-8Published: 01 August 2020
Softcover ISBN: 978-3-030-51115-9Published: 02 August 2021
eBook ISBN: 978-3-030-51113-5Published: 31 July 2020
Series ISSN: 2634-6370
Series E-ISSN: 2634-6389
Edition Number: 1
Number of Pages: X, 136
Number of Illustrations: 11 b/w illustrations, 7 illustrations in colour
Topics: Comics Studies, Technology and Stagecraft, Film Theory