Skip to main content
Palgrave Macmillan

Technoliberalism and the End of Participatory Culture in the United States

  • Book
  • © 2017

Overview

  • Examines liberalism and video in eight chapters including five historical and ethnographic case studies
  • Presents data based on three years of fieldwork and interviews with television and internet video producers
  • Investigates the politics of several multi-channel internet video networks and examines entrepreneurial self-branding practices

This is a preview of subscription content, log in via an institution to check access.

Access this book

eBook USD 79.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 99.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 99.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access

Licence this eBook for your library

Institutional subscriptions

Table of contents (9 chapters)

Keywords

About this book

This new book examines whether television can be used as a tool not just for capitalism, but for democracy. Throughout television’s history, activists have attempted to access it for that very reason. New technologies—cable, satellite, and the internet—provided brief openings for amateur and activist engagement with television. This book elaborates on this history by using ethnographic data to build a new iteration of liberalism, technoliberalism, which sees Silicon Valley technology and the free market of Hollywood end the need for a politics of participation. 

Reviews

“Adam Fish's ambitious book is at once empirically and theoretically incisive; it charts the rise and fall of 'technoliberalism' as it confronts generation after generation of hopeful new media and their relentless incorporation within capital.  It is an essential and creative clarification of the tangle of contemporary technologies, political theories of freedom and equality, and the desires involved in making and consuming media.” (Christopher Kelty, University of California, Los Angeles, USA)

Authors and Affiliations

  • Lancaster University Sociology, Bailrigg, Lancaster, United Kingdom

    Adam Fish

About the author

Adam Fish is Lecturer in the Sociology Department at Lancaster University, UK. As a cultural anthropologist, he examines digital industries that exercise their powers of persuasion and digital activists who challenge those powers. Much of his research focuses on the industry and activism surrounding digital video, of which he is both a critic and practitioner. 

Bibliographic Information

Publish with us