Skip to main content
SpringerLink
Log in
Palgrave Macmillan
Book cover

Classical Presences in Irish Poetry after 1960

The Answering Voice

  • Book
  • © 2018

Overview

Authors:
  1. Florence Impens

    1. University of Manchester, Manchester, United Kingdom

    View author publications

    You can also search for this author in PubMed   Google Scholar

  • Invites scholars to reappraise the ways in which the dynamics of the contemporary Irish poetic scene have often been read
  • Places close readings of key poems within the broader context of the poets’ careers
  • Draws attention to lesser-known creative engagements with Greek and Latin literatures in its study of Eavan Boland and Derek Mahon

Part of the book series: The New Antiquity (NANT)

This is a preview of subscription content, log in via an institution to check access.

Access this book

Log in via an institution
eBook USD 69.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 89.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 119.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access

Licence this eBook for your library

Institutional subscriptions

Table of contents (6 chapters)

  1. Front Matter

    Pages i-ix
    Download chapter PDF

  2. A Brief Introduction: Rationale and Objectives

    • Florence Impens
    Pages 1-10

  3. The Classics in Modern Irish Poetry

    • Florence Impens
    Pages 11-43

  4. Seamus Heaney: ‘Lethe in Moyola’

    • Florence Impens
    Pages 45-83

  5. Michael Longley: The ‘Lapsed Classicist’

    • Florence Impens
    Pages 85-125

  6. Derek Mahon and Eavan Boland: Marginal Perspectives

    • Florence Impens
    Pages 127-168

  7. A Classical ‘Revival’?

    • Florence Impens
    Pages 169-203

  8. Back Matter

    Pages 205-219
    Download chapter PDF
Back to top

Keywords

About this book

This book provides the first overview of classical presences in Anglophone Irish poetry after 1960. Featuring detailed studies of Seamus Heaney, Michael Longley, Derek Mahon, and Eavan Boland, including close readings of key poems, it highlights the evolution of Irish poetic engagements with Greece and Rome in the last sixty years. It outlines the contours of a ‘movement’ which has transformed Irish poetry and accompanied its transition from a postcolonial to a transnational model, from sporadic borrowings of images and myths in the poets’ early attempts to define their own voices, to the multiplication of classical adaptations since the late 1980s -- at first at a time of personal and political crises, notably in Northern Ireland, and more recently, as manifestations of the poets’ engagements with European and other foreign literatures.

Reviews

“This monograph offers a fresh and timely look at the classical tradition – and the function of the Classics – in the work of the Irish poets … . The book’s detailed critical exegesis and firm grasp of historical, literary and classical contexts will be of great value to scholars of classical reception and contemporary Irish poetry alike, and I.’s perceptive, often original insights into several of the poems and plays make a meaningful contribution to the field.” (Laura McKenzie, The Classical Review, Vol. 69 (1), April, 2019) “Broad-ranging in its scope and illuminating in its details, The Answering Voice highlights the extraordinarily pervasive yet under-recognized influence of classical literature on Irish poets. Florence Impens’ sensitive and insightful readings demonstrate how Irish poets have exploited classical models to articulate a European voice. With an impressive command of both classical and Irish sources, this important book is a valuable addition to the growing literature on the reception of classical material in Anglophone poetry.” (Isabelle Torrance, Aarhus University, Denmark)

“Examining how Heaney, Longley, Mahon, Boland, and other Irish writers have enriched their poems with the classics, Florence Impens traces their vitally transhistorical and transnational dialogue with antiquity. Judicious and precise, engaging and lucid, her book illuminates the fascinatingly various purposes served by the classics: to claim literary authority, bridge sectarian divisions, ennoble marginality, and renegotiate Irish identity. This excellent study will delight and instruct readers of contemporary Irish poetry.” (Jahan Ramazani, University of Virginia, USA)

“This is a revelatory guide to the animating and central presence of European classical literature in contemporary Irish poetry. With lightly-worn scholarship and critical flair, Florence Impens brilliantly documents the protean ways Seamus Heaney, Michael Longley, Derek Mahon and Eavan Boland mine Greek and Roman poetry to address the urgencies of personal and public life today. The result is a riveting and informative study of tradition and the individual talent in modern Ireland.” (Hugh Haughton, University of York, UK)

“Providing a comprehensive assessment of the relationship between the classics and contemporary Irish poetry, this is a very important piece of scholarship that will no doubt be used as a reference work by scholars for many years to come.” (Clíona Ní Ríordáin, Université Sorbonne Nouvelle-Paris 3, France)

Authors and Affiliations

  • University of Manchester, Manchester, United Kingdom

    Florence Impens

About the author

Florence Impens is Leverhulme Early Career Fellow at the University of Manchester, UK. She has previously lived, studied, and worked in France, Ireland, and the United States. Her research interests include Irish Studies, contemporary poetry in English, and reception studies.

Bibliographic Information

Publish with us

Policies and ethics

Back to top

Search

Navigation