Overview
- Provides a comprehensive overview of Silvan Tomkins’ theories
- Correlates the study of genre with affect theory
- Contributes to the study of tragedy, disgust, and shame
Part of the book series: Palgrave Studies in Affect Theory and Literary Criticism (PSATLC)
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Table of contents (7 chapters)
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Front Matter
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Theory
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Front Matter
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Back Matter
Keywords
About this book
Affect Theory, Genre, and the Example of Tragedy employs Silvan Tomkins’ Affect-Script theory of human psychology to explore the largely unacknowledged emotions of disgust and shame in tragedy. The book begins with an overview of Tomkins’ relationship to both traditional psychoanalysis and theories of human motivation and emotion, before considering tragedy via case studies of Oedipus, Hamlet, and Death of a Salesman. Aligning Affect-Script theory with literary genre studies, this text explores what motivates fictional characters within the closed conditions of their imagined worlds and how we as an audience relate to and understand fictional characters as motivated humans.
Reviews
“This is an overall impressive scholarly work, innovative and timely in conception . . . [and] the most original work on literary theory I’ve read in some time. It contributes distinctly to a welcome trend of expanded dialogue in the humanities long overdue.” (Donald R. Wehrs, Hargis Professor of English Literature, Auburn University, USA)
“Duncan Lucas’s Dreams We Learn begins with a lucid introduction to Silvan Tomkins’ complex affect and script theory–an impressive feat in itself--and then provides, in a set of highly original close readings, an acute demonstration of the power of Tomkins’ ideas when applied to literature, specifically, in this case, to tragic drama. Persuasively argued and a pleasure to read, it is an indispensable work for anyone interested in affect and its relevance to literature and literary theory.” (Joseph Adamson, Professor Emeritus of English, McMaster University, Canada, and author of Melville, Shame, and the Evil Eye and co-editor of Scenes of Shame: Psychoanalysis, Shame, and Writing (1998))
“An extremely ambitious and carefully researched work of impressive interdisciplinary reach, Duncan Lucas’s Dreams We Learn: Affect Theory, Genre, and the Example of Tragedy brings thoughtful attention to the affect-script theory of human motivation of Silvan Tomkins and shows how Tomkins’ theory provides “new investigative ground” for understanding the nature of suffering in tragedy. Providing a wonderful sourcebook for literary critics interested in gaining a working knowledge of Silvan Tomkins’ affect-script theory, Lucas has written an insightful and original work as he illuminates, often in unexpected ways, how literary personalities “engage the world emotionally.” (J. Brooks Bouson, Professor English, Loyola University Chicago, USA, and author of Quiet As It’s Kept: Shame, Trauma, and Race in the Novels of Toni Morrison (2000), Embodied Shame: Uncovering Female Shame in Contemporary Women’s Writings (2009), andShame and the Aging Woman: Confronting and Resisting Ageism in Contemporary Women’s Writings (2016))
Authors and Affiliations
About the author
Duncan A. Lucas is Professor of Communications in the Department of Liberal Studies at Mohawk College in Hamilton, Ontario, Canada.
Bibliographic Information
Book Title: Affect Theory, Genre, and the Example of Tragedy
Book Subtitle: Dreams We Learn
Authors: Duncan A. Lucas
Series Title: Palgrave Studies in Affect Theory and Literary Criticism
DOI: https://doi.org/10.1007/978-3-319-94863-8
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer International Publishing AG, part of Springer Nature 2018
Hardcover ISBN: 978-3-319-94862-1Published: 24 September 2018
Softcover ISBN: 978-3-030-06928-5Published: 19 January 2019
eBook ISBN: 978-3-319-94863-8Published: 08 September 2018
Series ISSN: 2634-6311
Series E-ISSN: 2634-632X
Edition Number: 1
Number of Pages: XX, 329
Number of Illustrations: 4 b/w illustrations
Topics: Literary Theory, Comparative Literature