Authors:
- Combines representational and interactionist approaches to surfing and musicking to explain a number of varied yet intertwined phenomena, such as social and private identity marking, urban development, and cultural mobility
- Explores surfing and musicking as a sociocultural construct and helps to highlight, analyze, and understand cultural hybridization through surfers’ collaborative efforts to promote social cohesion
- Presents an interdisciplinary exploration of the ways in which musical experience pertaining to the surf lifestyle can be considered as an identity marker of various American surf subcultures
- Redefines surf music as a glocal cultural construct, rather than a historically California-bound genre
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Table of contents (11 chapters)
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Front Matter
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Florida, Surfing, and Surf Music: Overview of the Place, the People, and the Practices
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Front Matter
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Effects of the Mobility of Surfing and Surf Music on Cultural Appropriation
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Front Matter
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The Question of Identity in Ethno-Aesthetic Belonging
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Front Matter
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Back Matter
About this book
Authors and Affiliations
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Université Paul-Valéry Montpellier 3, Montpellier, France
Anne Barjolin-Smith
About the author
Bibliographic Information
Book Title: Ethno-Aesthetics of Surf in Florida
Book Subtitle: Surfing, Musicking, and Identity Marking
Authors: Anne Barjolin-Smith
DOI: https://doi.org/10.1007/978-981-15-7478-8
Publisher: Palgrave Macmillan Singapore
eBook Packages: Social Sciences, Social Sciences (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapore Pte Ltd. 2020
Hardcover ISBN: 978-981-15-7477-1Published: 22 September 2020
Softcover ISBN: 978-981-15-7480-1Published: 23 September 2021
eBook ISBN: 978-981-15-7478-8Published: 21 September 2020
Edition Number: 1
Number of Pages: XIV, 339
Number of Illustrations: 1 b/w illustrations, 2 illustrations in colour
Topics: Human Geography, Cultural Anthropology, Sociology of Sport and Leisure, Music