Skip to main content
Palgrave Macmillan

The History of British Women's Writing, 1830-1880

Volume Six

  • Book
  • © 2018

Overview

  • Assesses the distinctive contributions of women writers to various dimensions of literary and social life in the period from 1830 to 1880
  • Offers a new perspective on gender identity, professionalization, print culture, and place in women’s writing between 1830 and 1880
  • Considers how women writers worked within and across genres in order to give distinctive voice to the challenges of a rapidly industrializing society and the opportunities for taking the lead in shaping culture, especially modern concepts of identity

Part of the book series: History of British Women's Writing (HBWW)

This is a preview of subscription content, log in via an institution to check access.

Access this book

eBook USD 139.00
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book USD 179.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access

Licence this eBook for your library

Institutional subscriptions

Table of contents (19 chapters)

  1. Introduction: The ‘Business’ of Writing Women

  2. Divisions of Writing

  3. Reading Places

  4. Writing Genres

  5. Reading Women Writing Modernity

Keywords

About this book

This volume charts the rise of professional women writers across diverse fields of intellectual enquiry and through different modes of writing in the period immediately before and during the reign of Queen Victoria. It demonstrates how, between 1830 and 1880, the woman writer became an agent of cultural formation and contestation, appealing to and enabling the growth of female readership while issuing a challenge to the authority of male writers and critics. Of especial importance were changing definitions of marriage, family and nation, of class, and of morality as well as new conceptions of sexuality and gender, and of sympathy and sensation. The result is a richly textured account of a radical and complex process of feminization whereby formal innovations in the different modes of writing by women became central to the aesthetic, social, and political formation of British culture and society in the nineteenth century.

Editors and Affiliations

  • Department of English Language and Literature, University of Michigan, USA

    Lucy Hartley

About the editor

Lucy Hartley is Professor of English at the University of Michigan, USA. She is the author of two books, Physiognomy and the Meaning of Expression in Nineteenth-Century Culture (2001) and Democratising Beauty in Nineteenth-Century Britain: Art and the Politics of Public Life (2017), as well as numerous articles on the political and aesthetic dimensions of nineteenth-century British culture.

Bibliographic Information

Publish with us